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Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics

Autore: Marcia Brennan
Editore: Cambridge, Mass. : MIT Press, ©2001.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"In Painting Gender, Constructing Theory, Marcia Brennan examines how Stieglitz and the critics drew on early twentieth-century discourses on sex and the psyche, particularly the theories of Sigmund Freud and Havelock Ellis, to characterize the artworks of the Stieglitz circle. Critics routinely described the often highly abstracted paintings of Georgia O'Keeffe, Arthur Dove, John Marin, Marsden Hartley, and Charles
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Dettagli

Persona incaricata: Alfred Stieglitz; Alfred Stieglitz; Alfred Stieglitz; Alfred Stieglitz; Alfred Stieglitz; Alfred Stieglitz
Tipo materiale: Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Marcia Brennan
ISBN: 0262024888 9780262024884 0262523361 9780262523363
Numero OCLC: 45002145
Descrizione: 377 p. : ill. (some col.) ; 24 cm.
Contenuti: Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929 --
Faith, love and the broken camera: Alfred Stieglitz and New York Dada --
Alfred Stieglitz and his critics: an aesthetics of intimacy --
Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion --
John Marin: framed landscapes and embodied visions --
Marsden Hartley and Charles Demuth: the edges of the circle --
Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton --
The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg.
Responsabilità: Marcia Brennan.
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Abstract:

How critical conceptions of gender and sexuality helped to advance the artistic careers of the Alfred Stieglitz Circle and influenced American formalist aesthetics.  Per saperne di più…

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"Brennan's book clearly contributes to both gender studies and the field of American modernism." Margaret Sundell Bookforum

 
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