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Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics

作者: Marcia Brennan
出版商: Cambridge, Mass. : MIT Press, ©2001.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"In Painting Gender, Constructing Theory, Marcia Brennan examines how Stieglitz and the critics drew on early twentieth-century discourses on sex and the psyche, particularly the theories of Sigmund Freud and Havelock Ellis, to characterize the artworks of the Stieglitz circle. Critics routinely described the often highly abstracted paintings of Georgia O'Keeffe, Arthur Dove, John Marin, Marsden Hartley, and Charles
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詳細書目

提及的人: Alfred Stieglitz; Alfred Stieglitz; Alfred Stieglitz; Alfred Stieglitz; Thomas Hart Benton; Charles Demuth; Arthur Garfield Dove; Marsden Hartley; John Marin; Georgia O'Keeffe; Alfred Stieglitz; Alfred Stieglitz; Alfred Stieglitz
資料類型: 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Marcia Brennan
ISBN: 0262024888 9780262024884 0262523361 9780262523363
OCLC系統控制編碼: 45002145
描述: 377 pages : illustrations (some color) ; 24 cm
内容: Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929 --
Faith, love and the broken camera: Alfred Stieglitz and New York Dada --
Alfred Stieglitz and his critics: an aesthetics of intimacy --
Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion --
John Marin: framed landscapes and embodied visions --
Marsden Hartley and Charles Demuth: the edges of the circle --
Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton --
The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg.
責任: Marcia Brennan.
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摘要:

How critical conceptions of gender and sexuality helped to advance the artistic careers of the Alfred Stieglitz Circle and influenced American formalist aesthetics.  再讀一些...

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"Brennan's book clearly contributes to both gender studies and the field of American modernism." Margaret Sundell Bookforum

 
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schema:description""Focusing on the key historical criticism and art-works, Brennan shows how the identities of all five Stieglitz circle artists were presented in terms of the masculinity and femininity, and the heterosexuality and homosexuality, thought to be embedded in their work. Brennan also discusses Stieglitz's relation to competing artistic and critical movements, including Thomas Hart Benton's regionalist art and Clement Greenberg's reformulation of formalism."--Jacket."@en
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