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Painting in sixteenth-century Venice : Titian, Veronese, Tintoretto

Author: David Rosand
Publisher: Cambridge ; New York : Cambridge University Press, ©1997.
Edition/Format:   Book : English : Rev. edView all editions and formats
Database:WorldCat
Summary:
Explores the traditions of Venetian painting in the High and Late Renaissance - Social, economic and political situation of the arts and artists - Durer - Bellini.
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Genre/Form: Criticism, interpretation, etc
Named Person: Titian; Veronese; Tintoretto; Paolo Veronese; Titian.; Tintoretto; Titien; Veronese; Tintoretto; Tintoretto; Titian; Veronese; Titien; Véronèse; Le Tintoret
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: David Rosand
ISBN: 0521562864 9780521562867 0521565685 9780521565684
OCLC Number: 35990372
Notes: Revised edition of: Painting in cinquecento Venice. c1982.
Description: xvii, 279 pages, [32] pages of plates : illustrations (some color) ; 29 cm
Contents: 1. Introduction : the conditions of painting in Renaissance Venice --
The historical situation of art in Venice --
The social situation of the artist --
Venetian aesthetic and the Disegno --
Colorito controversy --
Formal principles : renaissance conventions, Venitian context --
2. Titian and the challenge of the Altarpiece --
In the Frari, I: The Assunta --
In the Frari, II: The Pesaro Madonna --
Titian's Light as form and symbol --
The last altarpiece --
3. Titian's Presentation of the Virgin in the Temple and the Scuola della Carita --
Site : The Scuola della Carita --
Pictorial tradition --
The painting in situ : Divine wisdom and the iconography of light --
Iconography expanded : the symbolic landscape --
Dramatis personae, I: Synagogue and Grace --
Dramatis Personae, II : Witnesses and brothers --
Justice, charity, and the wisdom of state --
Style and significance : some concluding remarks --
Excursus : the Scuola della Carita and its Albergo --
Theater and structure in the art of Paolo Veronese --
The Family of Darius --
Ut Pictura Theatrum --
The Palladian theater --
Veronese's Maestoso Teatro --
Splendor and significance --
Temporal structures --
Excursus : Daniele Barbaro on Scaenographia --
5. Action and piety in Tintoretto's religious pictures --
The Miracle of St. Mark --
The theater of piety --
The great crucifixion --
Prandium Caritatis --
Tintoretto's Venezianita.
Other Titles: Painting in 16th-century Venice
Responsibility: David Rosand.
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Abstract:

Explores the traditions of Venetian painting in the High and Late Renaissance - Social, economic and political situation of the arts and artists - Durer - Bellini.

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