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E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/13379 Title: Painting, photography, film. Author: László Moholy-Nagy Publisher: Cambridge, Mass., M.I.T. Press [1969] OCLC:13379

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Painting, photography, film.

Author:	László Moholy-Nagy
Publisher:	Cambridge, Mass., M.I.T. Press [1969]
Series:	[A Bauhaus book]
Edition/Format:	Book : EnglishView all editions and formats
Rating:	(not yet rated) 0 with reviews - Be the first.

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Additional Physical Format:	Online version: Moholy-Nagy, László, 1895-1946. Painting, photography, film. Cambridge, Mass., M.I.T. Press [1969] (OCoLC)755248941
Document Type:	Book
All Authors / Contributors:	László Moholy-Nagy Find more information about:
OCLC Number:	13379
Notes:	Translation of Malerei, Fotografie, Film.
Description:	150 p. illus. 26 cm.
Contents:	Introduction -- From painting with pigment to light-displays projected with a reflector -- Problems of terminology in optical composition -- On the objective and the non-objective -- Easel painting, architecture and 'Gesamtkunstwerk' -- Static and kinetic optical composition -- Domestic pinacotheca -- Photography -- Production, reproduction -- Photography without camera : the 'photogram' -- The future of the photographic process -- Typophoto -- Simultaneous or poly-cinema -- On technical possibilities and demands -- Illustrations (some with explanations) -- Dynamic of the metropolis -- Sketch for a film, also typophoto -- Sources of the typophotos of 'Dynamic of the Metropolis' -- Editor's note -- Postscript : Otto Stelzer : Moholy-Nagy and his vision.
Series Title:	[A Bauhaus book]
Other Titles:	Malerei, Fotografie, Film.
Responsibility:	With a note by Hans M. Wingler and a postscript by Otto Stelzer. Translated by Janet Seligman.

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"Introduction -- From painting with pigment to light-displays projected with a reflector -- Problems of terminology in optical composition -- On the objective and the non-objective -- Easel painting, architecture and 'Gesamtkunstwerk' -- Static and kinetic optical composition -- Domestic pinacotheca -- Photography -- Production, reproduction -- Photography without camera : the 'photogram' -- The future of the photographic process -- Typophoto -- Simultaneous or poly-cinema -- On technical possibilities and demands -- Illustrations (some with explanations) -- Dynamic of the metropolis -- Sketch for a film, also typophoto -- Sources of the typophotos of 'Dynamic of the Metropolis' -- Editor's note -- Postscript : Otto Stelzer : Moholy-Nagy and his vision."

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