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Palenque político

作者: Jesusa Rodríguez; Liliana Felipe; Teatro Bar El Hábito.; Hemispheric Institute Digital Video Library.
出版商: Mexico City : [s.n.], 1999 Nov.
叢書: Hábito collection.
版本/格式:   DVD影像 : 卡式錄影帶   電腦資料 : 西班牙語
資料庫:WorldCat
提要:
In this political-poetical-philosophical-musical cabaret performance, Jesusa Rodríguez and Liliana Felipe take on Mexicos electoral climate in order to pose a comment on ethics, politics, Mexican folklore and pop culture. Rodríguez populates the scenario of the palenque (cockpit, a place for popular gambling games like cockfighting) with chameleonic characters Chona Schopenhauer (the only ranchera philosopher),  再讀一些...
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詳細書目

類型/形式: Cabaret
Satire
Farces
Gay/lesbian
Political
資料類型: 錄影
文件類型: 影像資料, 電腦資料
所有的作者/貢獻者: Jesusa Rodríguez; Liliana Felipe; Teatro Bar El Hábito.; Hemispheric Institute Digital Video Library.
OCLC系統控制編碼: 184823049
語言註釋: In Spanish.
注意: Title supplied by Hemispheric Institute.
Part of the Hemispheric Institute Digital Video Library.
餘額: Liliana Felipe, music.
演員名單: Jesusa Rodríguez, Liliana Felipe, Isela Vega, Yoma Vela, Roberto Cabral.
活動注釋: Performed at Teatro El Hábito, Mexico City, Nov. 1999.
描述: 2 videocassettes of 2 (Digital Betacam) (101 min.) : sd., col. ; 1/2 in. master. 2 videodiscs of 2 (DVD) (101 min.) : sd., col. ; 4 3/4 in. viewing copy.
叢書名: Hábito collection.
其他題名: Political cockpit
責任: Jesusa Rodríguez, writer, director.

摘要:

In this political-poetical-philosophical-musical cabaret performance, Jesusa Rodríguez and Liliana Felipe take on Mexicos electoral climate in order to pose a comment on ethics, politics, Mexican folklore and pop culture. Rodríguez populates the scenario of the palenque (cockpit, a place for popular gambling games like cockfighting) with chameleonic characters Chona Schopenhauer (the only ranchera philosopher), Pita Amor (an old-fashioned, affected performer of poetry) and Don Andrés Soler (a very macho, politically conservative old man), among others, through which she criticizes the corruption and violence associated with Mexicos political climate. In a phenomenology of fortuitous becoming, the universe is portrayed as a palenque where anything could happen, and Mexican electoral processes as a gamble. In this vein, and interspersed with parodic renditions of traditional folk songs by Rodríguez and sexy ranchera Isela Vega (a famous Mexican vedette), the audience is invited to play a satirical Mexican lotería (with cards like The Wetback, The Zapatista, The First Lady, and The ATM substituting the traditional icons of this popular game) and to gamble, control, and judge an electoral cockfight where puppets of political candidates race to be the first to reach the finishing line of presidency.

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