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Palettes. The mirror of paradoxes : self-portraits, Rembrandt van Rijn (1606-1669), the Louvre Museum, Paris.

Author: Alain Jaubert; Musée du Louvre.; Société nationale de programme France-Régions.; Delta Image.
Publisher: [France] : La SEPT, FR3 Oceaniques, Musee du Louvre, Delta Image, 1991.
Edition/Format:   VHS video : VHS tape   Visual material : English : English version
Database:WorldCat
Summary:
'Even in his first paintings, Rembrandt positioned himself in the scene. In the following years, Rembrandt painted at least one hundred self-portraits in engravings, drawings and paintings ... such singlemindedness, unique in the history of art, was very widely interpreted'. This program explores the technical difficulties encountered in the self-portrait, the inspiration for Rembrandt's art, and in a larger  Read more...
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Genre/Form: Self-portraits
Named Person: Rembrandt Harmenszoon van Rijn; Rembrandt Harmenszoon van Rijn
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Alain Jaubert; Musée du Louvre.; Société nationale de programme France-Régions.; Delta Image.
OCLC Number: 225824015
Notes: Title on videocassette: Self-portraits by Rembrandt, 1606-1669.
Title on videocassette container: Rembrandt.
Credits: Producer, Alain Jaubert.
Description: 1 videocassette (VHS) (30 min.) : sound, color ; 1/2 in.
Other Titles: Rembrandt
Self-portraits by Rembrandt, 1608-1669

Abstract:

'Even in his first paintings, Rembrandt positioned himself in the scene. In the following years, Rembrandt painted at least one hundred self-portraits in engravings, drawings and paintings ... such singlemindedness, unique in the history of art, was very widely interpreted'. This program explores the technical difficulties encountered in the self-portrait, the inspiration for Rembrandt's art, and in a larger context, the significance of Rembrandt's self-portraits in relation to the social changes occurring in Europe at the time.

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Primary Entity

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