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The Palgrave handbook of sound design and music in screen media : integrated soundtracks

Author: Liz Greene, (Sound designer); Danijela Kulezic-Wilson
Publisher: London : Palgrave Macmillan, [2016] ©2016
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"This book bridges the existing gap between film and film music studies by bringing together scholars from both disciplines who challenge the constants of their subject areas by thinking about integrated approaches to the soundtrack."--Page [4] of cover.
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Document Type: Book
All Authors / Contributors: Liz Greene, (Sound designer); Danijela Kulezic-Wilson
ISBN: 9781137516794 1137516798
OCLC Number: 948561359
Notes: "Palgrave handbooks"--Cover.
Description: xix, 468 pages : illustrations, music ; 24 cm
Contents: Introduction / Liz Greene and Danijela Kulezic-Wilson --
Part I : Boundaries and their disintegration. From noise : blurring the boundaries of soundtrack / Liz Greene ; Interview 1 : Sound recording, sound design and collaboration : an interview with Ann Kroeber / Liz Greene ; Organizing sound : labour organizations and power struggles that helped define music and sound in Hollywood / Gianluca Sergi ; Mixing as a hyperorchestration tools / Sergi Casanelles ; Emotional sound effects and metal machine music : soundworlds in Silent hill games and films / K.J. Donnelly --
Part II : Presence, immersion, space. Towards 3-D sound : spatial presence and the space vacuum / Miguel Mera ; Inner and outer worlds in the film Gravity : a multidisciplinary approach / Gilbert Gabirel and David Sonnenschein ; Intertwining music and sound in film / Martine Huvenne ; Interview 2 : Reality and representation : an interview with Dario Marianelli / Miguel Mera --
Part III : Listening : affect and body. Sound effects/sound affects : "meaningful" noise in the cinema / James Wierzbicki ; Listening to violence : point-of-audition sounds, aural interpellation, and the rupture of hearing / Tony Grajeda ; Acoustic disgust : sound, affect, and cinematic violence / Lisa Coulthard --
Part IV : time and memory. Mad sound and the crystal-image : the soundtrack of Rivette's L'amour fou / Byron Almén and James Buhler ; The sonic realm in The quatermass experiment : medium and genre and sound / Robynn J. Stilwell ; Sond, music and memoty in Jia Zhangke's "Hometown trilogy" / Philippa Lovatt / Vinyl noise and narrative in CD-era Indiewood / Ian Garwood ; Interview 3 : Mixing punk, classical and new sounds in film music : an interview with Brian Reitzell / Maghan Joyce Tozer --
Part V : breaking conventions. From analogue to digital : synthesizers and discourses of film sound in the 1980s / Katherine Spring ; Unlearning film school : the "lo-fi" sountracks of Joe Swanberg / Nessa Johnston ; The Janus project : Cristobal Tapia de Veer's Utopia, anempathetic empathy and the radicalization of convention / Annette Davison and Nicholas Reyland ; Interview 4 : building bridges : sound design as collaboration, as style and as music in The bridge : an interview with Carl Edström / Annette Davison and Martin Parker --
Part IV : The sound of machines and non-humans. The sound of an android's soul : music, MIDI and muzak in Time of Eve / Philip Brophy ; The sounds in the machine : Hirokazu Tanaka's cybernetic soundscape for Metroid / William Gibbons ; Redundancy and information in explanatory voice-ins and voice-offs / Cormac Deane ; Interview 5 : Under the skin of film sound : an interview with Johnnie Burn / Joohn Hough --
Part VII : The musicality of soundtrack. Electroacoustic composition and the British documentary tradition / Andy Birtwistle ; Renegotiating the overture : the use of sound and music in the openeing sequences of A single man and Shame / Adam Melvin ; Interview 6 : Orchestration, collaboration, and the integrated soundrack : an interview with Marr Dunkley / Ian Sapiro ; Musically conceived sound design, musicalization of speech and the breakdown of film soundtrack hierarchy / Danijela Kulezic-Wilson.
Responsibility: Liz Greene, Danijela Kulezic-Wilson, editors.

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This book bridges the existing gap between film sound and film music studies by bringing together scholars from both disciplines who challenge the constraints of their subject areas by thinking about  Read more...

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