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The paradox of photography

Autor: Pierre Taminiaux
Editorial: Amsterdam ; New York : Rodopi, 2009.
Serie: Faux titre, 335.
Edición/Formato:   Libro-e : Documento : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"The paradox of photography analyzes the discourse on photography by four of the most important modern French poets and theorists (Baudelaire, Breton, Barthes and Valéry). It stresses in particular the importance of this visual language for the development of both new forms of narrative and original critical studies on issues of representation in art. It also reflects upon the integration of photography within the  Leer más
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Detalles

Género/Forma: Electronic books
Criticism, interpretation, etc
Persona designada: Charles Baudelaire; André Breton; Roland Barthes; Paul Valéry; Roland Barthes; Charles Baudelaire; André Breton; Paul Valéry
Tipo de material: Documento, Recurso en Internet
Tipo de documento: Recurso en Internet, Archivo de computadora
Todos autores / colaboradores: Pierre Taminiaux
ISBN: 9789042026674 9042026677
Número OCLC: 462133995
Descripción: 1 online resource (204 pages).
Contenido: No Art's Land --
Reasonable Madness --
The Image, One Image, Images --
The Fascinated Eye.
Título de la serie: Faux titre, 335.
Responsabilidad: Pierre Taminiaux.

Resumen:

"The paradox of photography analyzes the discourse on photography by four of the most important modern French poets and theorists (Baudelaire, Breton, Barthes and Valéry). It stresses in particular the importance of this visual language for the development of both new forms of narrative and original critical studies on issues of representation in art. It also reflects upon the integration of photography within the domain of technical modernity while emphasizing its aesthetic identity stemming from the Western tradition of figurative painting."--Page 4 of cover.

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Datos enlazados


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