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The paradox of photography

Auteur : Pierre Taminiaux
Éditeur : Amsterdam ; New York : Rodopi, 2009.
Collection : Faux titre, 335.
Édition/format :   Livre électronique : Document : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"The paradox of photography analyzes the discourse on photography by four of the most important modern French poets and theorists (Baudelaire, Breton, Barthes and Valéry). It stresses in particular the importance of this visual language for the development of both new forms of narrative and original critical studies on issues of representation in art. It also reflects upon the integration of photography within the  Lire la suite...
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Détails

Genre/forme : Electronic books
Criticism, interpretation, etc
Personne nommée : Charles Baudelaire; André Breton; Roland Barthes; Paul Valéry; Roland Barthes; Charles Baudelaire; André Breton; Paul Valéry
Type d’ouvrage : Document, Ressource Internet
Format : Ressource Internet, Fichier informatique
Tous les auteurs / collaborateurs : Pierre Taminiaux
ISBN : 9789042026674 9042026677
Numéro OCLC : 462133995
Notes : Title from PDF title page (viewed Nov. 2, 2009).
Description : 1 online resource (204 pages).
Contenu : No Art's Land --
Reasonable Madness --
The Image, One Image, Images --
The Fascinated Eye.
Titre de collection : Faux titre, 335.
Responsabilité : Pierre Taminiaux.

Résumé :

"The paradox of photography analyzes the discourse on photography by four of the most important modern French poets and theorists (Baudelaire, Breton, Barthes and Valéry). It stresses in particular the importance of this visual language for the development of both new forms of narrative and original critical studies on issues of representation in art. It also reflects upon the integration of photography within the domain of technical modernity while emphasizing its aesthetic identity stemming from the Western tradition of figurative painting."--Page 4 of cover.

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Données liées


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