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Paris School Semiotics : Volume II: Practice.

Author: Paul Perron; Frank Collins; Frank H Collins
Publisher: Amsterdam : John Benjamins Publishing Company, 1989.
Edition/Format:   eBook : Document : EnglishView all editions and formats
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Perron, Paul.
Paris School Semiotics : Volume II: Practice.
Amsterdam : John Benjamins Publishing Company, ©1989
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Paul Perron; Frank Collins; Frank H Collins
ISBN: 9789027278371 9027278377 1283424576 9781283424578
OCLC Number: 769344130
Notes: II. 2. The Circulating Object.
Description: 1 online resource (241 pages)
Contents: PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III. 1. The Vegetable Soup; III. 2. The Basil Sauce (Pistou); III. 3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES. 1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re- )contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The "Roman charity" scene in Poussin's La Manne; I. METHOD --
OBJECT OF STUDY. I.1. Uttered enunciation --
a point of access to the estheticI.2. "Roman charity"; I.3. Philological digression; II. ADMIRATION; II.1. "Admiration" according to Descartes and Malebranche; II.2. A passion sequence: curiosity --
"admiration" --
consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. "Admiration" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity --
divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel --
the miracle --
the mystery; III.6. Classical esthetics --
Baroque esthetics. APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the "News" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I.A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. "Public Opinion" and "Political Class"; II.2. The Public. II. 3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III. 1. A Polyvalent Operator; III. 2. The Problematics of the Narrator; III. 3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV. 1. Following Public Opinion; IV. 2. Defying Opinion; IV. 3. Deceiving Public Opinion; IV. 4. Facing Opinion; V.A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II. 1. Global Segmentation.

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