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Paths to the absolute : Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still

著者: John Golding
出版社: Princeton, N.J. : Princeton University Press, ©2000.
シリーズ: A.W. Mellon lectures in the fine arts, 1997.; Bollingen series, XXXV, 48.
エディション/フォーマット:   紙書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"In this survey of the origins and development of abstraction in twentieth-century painting John Golding, himself a noted painter, teacher and art historian, analyzes the ambitions and careers of seven major artists, each of whom 'had been inspired by the fact that he was on the path to some new, ultimate pictorial truth or certainty, to a visual absolute'." "In his discussion of each artist the author has chosen  続きを読む
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関連の人物: Piet Mondrian; Kazimir Severinovich Malevich; Wassily Kandinsky; Jackson Pollock; Barnett Newman; Mark Rothko; Clyfford Still; Piet Mondrian; Kazimir Malévitch; Wassily Kandinsky; Jackson Pollock; Barnett Newman; Mark Rothko; Clyfford Still; Wassily Kandinsky; Kazimir Severinovich Malevich; Piet Mondrian; Barnett Newman; Jackson Pollock; Mark Rothko; Clyfford Still
資料の種類: インターネット資料
ドキュメントの種類 書籍, インターネット資料
すべての著者/寄与者: John Golding
ISBN: 0691048967 9780691048963 0500283591 9780500283592
OCLC No.: 45038810
物理形態: 240 pages : illustrations ; 27 cm.
コンテンツ: Mondrian and the architecture of the future --
Malevich and the ascent into ether --
Kandinsky and the sound of colour --
Pollock and the search for a symbol --
Newman, Rothko, Still and the reductive image --
Newman, Rothko, Still and the abstract sublime.
シリーズタイトル: A.W. Mellon lectures in the fine arts, 1997.; Bollingen series, XXXV, 48.
責任者: John Golding.
その他の情報

概要:

Surveying the origins and development of abstract art in the 20th century, Golding analyzes the ambitions and careers of seven major artists - Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko  続きを読む

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'The most fluent, succinct, learned and intelligible treatment of the subject I have ever read' - John Spurling, RA Magazine 'Elegant and thoughtful' - The Independent 'It is written clearly, 続きを読む

 
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Primary Entity

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   schema:about <http://experiment.worldcat.org/entity/work/data/810095029#Topic/painting_abstract_europe> ; # Painting, Abstract--Europe
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   schema:about <http://viaf.org/viaf/72191790> ; # Clyfford Still
   schema:about <http://viaf.org/viaf/22143802> ; # Wassily Kandinsky
   schema:about <http://id.worldcat.org/fast/1050640> ; # Painting, Abstract
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   schema:about <http://experiment.worldcat.org/entity/work/data/810095029#Topic/peinture_europeenne_20e_siecle> ; # Peinture européenne--20e siècle
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   schema:about <http://experiment.worldcat.org/entity/work/data/810095029#Person/pollock_jackson_1912_1956> ; # Jackson Pollock
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   schema:about <http://id.loc.gov/authorities/subjects/sh85096806> ; # Painting, American--20th century
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    a bgn:PublicationSeries ;
   schema:hasPart <http://www.worldcat.org/oclc/45038810> ; # Paths to the absolute : Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still
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   schema:hasPart <http://www.worldcat.org/oclc/45038810> ; # Paths to the absolute : Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still
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   schema:hasPart <http://www.worldcat.org/oclc/45038810> ; # Paths to the absolute : Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still
   schema:name "The A.W. Mellon lectures in the fine arts ;" ;
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   schema:name "Painting, Abstract--United States"@en ;
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<http://viaf.org/viaf/12316903> # Jackson Pollock
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<http://viaf.org/viaf/14773228> # Kazimir Severinovich Malevich
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   schema:familyName "Newman" ;
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   schema:reviewBody ""In this survey of the origins and development of abstraction in twentieth-century painting John Golding, himself a noted painter, teacher and art historian, analyzes the ambitions and careers of seven major artists, each of whom 'had been inspired by the fact that he was on the path to some new, ultimate pictorial truth or certainty, to a visual absolute'." "In his discussion of each artist the author has chosen key works to illustrate a visual progression away from figurative painting; each is described and analyzed in terms of colour, medium, content and scale, supplemented by a range of comparative material demonstrating stylistic influences, especially the pivotal role and impact of Cubism in general on Mondrian and Malevich. In the case of each painter attention is drawn to specific factors, such as the effect on Malevich of Futurism and its concern with depicting movement, and particular sources of inspiration or use of symbolism, for example the importance of water and the sea for Jackson Pollock or of shamanistic motifs present in works by Clyfford Still."--Jacket." ;
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