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Paths to the absolute : Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still

作者: John Golding
出版商: Princeton, N.J. : Princeton University Press, ©2000.
叢書: A.W. Mellon lectures in the fine arts, 1997.; Bollingen series, XXXV, 48.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"In this survey of the origins and development of abstraction in twentieth-century painting John Goding, himself a noted painter, teacher and art historian, analyzes the ambitions and careers of seven major artists, each of whom 'had been inspired by the fact that he was on the path to some new, ultimate pictorial truth or certainty, to a visual absolute'." "In his discussion of each artist the author has chosen key  再讀一些...
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詳細書目

提及的人: Piet Mondrian; Kazimir Severinovich Malevich; Wassily Kandinsky; Jackson Pollock; Barnett Newman; Mark Rothko; Clyfford Still; Piet Mondrian; Kazimir Malévitch; Wassily Kandinsky; Jackson Pollock; Barnett Newman; Mark Rothko; Clyfford Still; Wassily Kandinsky; Kazimir Severinovich Malevich; Piet Mondrian; Barnett Newman; Jackson Pollock; Mark Rothko; Clyfford Still
資料類型: 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: John Golding
ISBN: 0691048967 9780691048963 0500283591 9780500283592
OCLC系統控制編碼: 45038810
描述: 240 pages : illustrations ; 27 cm.
内容: Mondrian and the architecture of the future --
Malevich and the ascent into ether --
Kandinsky and the sound of colour --
Pollock and the search for a symbol --
Newman, Rothko, Still and the reductive image --
Newman, Rothko, Still and the abstract sublime.
叢書名: A.W. Mellon lectures in the fine arts, 1997.; Bollingen series, XXXV, 48.
責任: John Golding.
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摘要:

Offers an approach to understanding the evolution of abstractionism by looking at the personal artistic development of seven of its practitioners. This book explores the works and concerns of three  再讀一些...

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Winner of the 2002 Mitchell Prize "[A] sensitive survey of seven of art's most influential abstract painters... "--The Sunday "A beautifully designed, superbly illustrated volume ... "--Carter 再讀一些...

 
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schema:reviewBody""In this survey of the origins and development of abstraction in twentieth-century painting John Goding, himself a noted painter, teacher and art historian, analyzes the ambitions and careers of seven major artists, each of whom 'had been inspired by the fact that he was on the path to some new, ultimate pictorial truth or certainty, to a visual absolute'." "In his discussion of each artist the author has chosen key works to illustrate a visual progression away from figurative painting; each is described and analyzed in terms of colour, medium, content and scale, supplemented by a range of comparative material demonstrating stylistic influences, especially the pivotal role and impact of Cubism in general on Mondrian and Malevich. In the case of each painter attention is drawn to specific factors, such as the effect on Malevich of Futurism and its concern with depicting movement, and particular sources of inspiration or use of symbolism, for example the importance of water and the sea for Jackson Pollock or of shamanistic motifs present in works by Clyfford Still."--Jacket."
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