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Patronage and Italian Renaissance sculpture

Author: Kathleen Christian; David Drogin
Publisher: Surrey, UK, England ; Burlington, VT : Ashgate, 2010.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice.
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Genre/Form: History
études diverses
Document Type: Book
All Authors / Contributors: Kathleen Christian; David Drogin
ISBN: 9780754668428 0754668428
OCLC Number: 501404312
Description: xiii, 267 pages : illustrations ; 25 cm
Contents: Introduction : The virtues of the medium : the patronage of sculpture in Renaissance Italy / Kathleen Wren Christian and David J. Drogin --
"There are many sculptors, but to Giovanni remain the honors of praise:" the rhetoric of Giovanni Pisano's words and images / Francis Ames-Lewis --
Professors and princes : patronage of sculpture in the Cappella Bentivoglio, Bologna / David J. Drogin --
The humanist and the poet : Bernardo Bembo's portrait of Dante / Debra Pincus --
Partnerships in commemoration : the patronage and production of the Brusati and Barbo tombs in Quattrocento Rome / Shelley E. Zuraw --
Donatello and his patrons / David G. Wilkins --
Reversing the rules : Michelangelo and the patronage of sculpture / William E. Wallace --
Passim : sculptors and sculptural patronage in and beyond Florence in the fifteenth century / Roger J. Crum --
Giambologna's equestrian monument to Cosimo I: the monument makes the memory / Sarah Blake McHam --
Pirro Ligorio's Roman fountains and the concept of the antique : investigations of the ancient nymphaeum in cinquecento antiquarian culture / Robert W. Gaston.
Responsibility: edited by Kathleen Wren Christian and David Drogin.

Abstract:

Addresses the creative and intellectual roles of sculptor and patron. This title surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. It  Read more...

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'Recommended. Upper-level under-graduates and above; general readers.' Choice 'The essays are often insightful and all beautifully illustrated (sculpture is best viewed in black and white Read more...

 
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