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Author: Films for the Humanities (Firm); Twenty Twenty Television.; Channel Four (Great Britain)
Publisher: Princeton, NJ : Films for the Humanities, 2003.
Series: Inside the Tate Modern : a century of modern art, 5.
Edition/Format:   DVD video : EnglishView all editions and formats
Database:WorldCat
Summary:
Segment one of this program examines the unidealized human form with Lucian Freud's nude "Standing by the Rags," Arman's mixed media sculpture "Condition of Women I" and John Coplans' nude "Frieze No. 2, 4 Panels." Segment two grapples with physical abuse and racial and sexual sterotyping through Nan Goldin's "Nan One Month After Being Battered," Sonia Boyce's "From Tarzan to Rambo, Etc.," and Sarah Lucas'  Read more...
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Genre/Form: Documentary television programs
Named Person: Lucian Freud; Arman; John Coplans; Nan Goldin; Sonia Boyce; Sarah Lucas; Louise Bourgeois; Annette Messager
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Films for the Humanities (Firm); Twenty Twenty Television.; Channel Four (Great Britain)
OCLC Number: 55702983
Credits: Written and narrated by Richard Stemp.
Description: 1 videodisc (ca. 15 min.) : sd., col. ; 4 3/4 in.
Details: DVD.
Series Title: Inside the Tate Modern : a century of modern art, 5.
Responsibility: written and narrated by Richard Stemp ; produced by Twenty Twenty Television for Channel 4.

Abstract:

Segment one of this program examines the unidealized human form with Lucian Freud's nude "Standing by the Rags," Arman's mixed media sculpture "Condition of Women I" and John Coplans' nude "Frieze No. 2, 4 Panels." Segment two grapples with physical abuse and racial and sexual sterotyping through Nan Goldin's "Nan One Month After Being Battered," Sonia Boyce's "From Tarzan to Rambo, Etc.," and Sarah Lucas' "Self-Portrait with Knickers and Self-Portrait with Fried Eggs." Segment three seeks to understand issues of identity and to discern the roots of cruelty with Louise Bourgeois' "Cell (Eyes and Mirorrs) and Annette Messager's "The Pikes."

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