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The performance of the basso continuo in Italian baroque music

Autor: Tharald Borgir
Editorial: Ann Arbor, Michigan : UMI Research Press, [1987] ©1987
Serie: Studies in musicology, no. 90.
Edición/Formato:   Print book : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"Covers the Italian Baroque period (1600-1730), dealing with basso continuo realizations, the use of bass line instruments and their terminology, and the functions of the various kinds of lutes. Borgir challenges the notion that the independent basso continuo is one of the hallmarks of the Baroque style."--Publisher's description.
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Detalles

Género/Forma: Criticism, interpretation, etc
History
Formato físico adicional: Online version:
Borgir, Tharald.
Performance of the basso continuo in Italian baroque music.
Ann Arbor, Mich. : UMI Research Press, ©1987
(OCoLC)568733959
Tipo de documento: Libro/Texto
Todos autores / colaboradores: Tharald Borgir
ISBN: 0835716759 9780835716758 083571912X 9780835719124
Número OCLC: 14519540
Notas: Revision of the author's thesis (Ph. D.)--University of California at Berkeley, 1971.
Descripción: vi, 180 pages : music ; 24 cm.
Contenido: Part one. Bass-line doubling in Italian Baroque music --
Part two. The bowed bass instruments --
Part three. The extended lutes --
Part four. The realization of the continuo bass.
Título de la serie: Studies in musicology, no. 90.
Responsabilidad: by Tharald Borgir.

Resumen:

"Covers the Italian Baroque period (1600-1730), dealing with basso continuo realizations, the use of bass line instruments and their terminology, and the functions of the various kinds of lutes. Borgir challenges the notion that the independent basso continuo is one of the hallmarks of the Baroque style."--Publisher's description.

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Datos enlazados


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