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The performance of the basso continuo in Italian baroque music

Autore: Tharald Borgir
Editore: Ann Arbor, Michigan : UMI Research Press, [1987] ©1987
Serie: Studies in musicology, no. 90.
Edizione/Formato:   book_printbook : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"Covers the Italian Baroque period (1600-1730), dealing with basso continuo realizations, the use of bass line instruments and their terminology, and the functions of the various kinds of lutes. Borgir challenges the notion that the independent basso continuo is one of the hallmarks of the Baroque style."--Publisher's description.
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Genere/forma: Criticism, interpretation, etc
History
Informazioni aggiuntive sul formato: Online version:
Borgir, Tharald.
Performance of the basso continuo in Italian baroque music.
Ann Arbor, Mich. : UMI Research Press, ©1987
(OCoLC)568733959
Tipo documento: Book
Tutti gli autori / Collaboratori: Tharald Borgir
ISBN: 0835716759 9780835716758 083571912X 9780835719124
Numero OCLC: 14519540
Note: Revision of the author's thesis (Ph. D.)--University of California at Berkeley, 1971.
Descrizione: vi, 180 pages : music ; 24 cm.
Contenuti: Part one. Bass-line doubling in Italian Baroque music --
Part two. The bowed bass instruments --
Part three. The extended lutes --
Part four. The realization of the continuo bass.
Titolo della serie: Studies in musicology, no. 90.
Responsabilità: by Tharald Borgir.

Abstract:

"Covers the Italian Baroque period (1600-1730), dealing with basso continuo realizations, the use of bass line instruments and their terminology, and the functions of the various kinds of lutes. Borgir challenges the notion that the independent basso continuo is one of the hallmarks of the Baroque style."--Publisher's description.

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