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The performance of the basso continuo in Italian baroque music

著者: Tharald Borgir
出版商: Ann Arbor, Michigan : UMI Research Press, [1987] ©1987
丛书: Studies in musicology, no. 90.
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"Covers the Italian Baroque period (1600-1730), dealing with basso continuo realizations, the use of bass line instruments and their terminology, and the functions of the various kinds of lutes. Borgir challenges the notion that the independent basso continuo is one of the hallmarks of the Baroque style."--Publisher's description.
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类型/形式: Criticism, interpretation, etc
History
附加的形体格式: Online version:
Borgir, Tharald.
Performance of the basso continuo in Italian baroque music.
Ann Arbor, Mich. : UMI Research Press, ©1987
(OCoLC)568733959
文件类型:
所有的著者/提供者: Tharald Borgir
ISBN: 0835716759 9780835716758 083571912X 9780835719124
OCLC号码: 14519540
注意: Revision of the author's thesis (Ph. D.)--University of California at Berkeley, 1971.
描述: vi, 180 pages : music ; 24 cm.
内容: Part one. Bass-line doubling in Italian Baroque music --
Part two. The bowed bass instruments --
Part three. The extended lutes --
Part four. The realization of the continuo bass.
丛书名: Studies in musicology, no. 90.
责任: by Tharald Borgir.

摘要:

"Covers the Italian Baroque period (1600-1730), dealing with basso continuo realizations, the use of bass line instruments and their terminology, and the functions of the various kinds of lutes. Borgir challenges the notion that the independent basso continuo is one of the hallmarks of the Baroque style."--Publisher's description.

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