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E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/55114418 Title: Perspective Author: Ian Duncan; Andrew Sachs; Ben Johnson; Patrick Hughes; Films for the Humanities (Firm); Windfall Films (Firm); Arts Council of England; British Broadcasting Corporation Publisher: Princeton, NJ : Films for the Humanities & Sciences, ©2004. OCLC:55114418

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Perspective

Author:	Ian Duncan; Andrew Sachs; Ben Johnson; Patrick Hughes; Films for the Humanities (Firm); All authors
Publisher:	Princeton, NJ : Films for the Humanities & Sciences, ©2004.
Series:	Oil on canvas.
Edition/Format:	DVD video : EnglishView all editions and formats
Summary:	Tracing the use of perspective (beginning in the 15th century) a pair of painters discuss how artists at the beginning of the 20th century rebelled agianst its limitations. One then uses a computer to create a perfect perspective model for a planned painting, while the other completely subverts the rules of perspective in creating his own work.
Rating:	(not yet rated) 0 with reviews - Be the first.

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Details

Material Type:	Videorecording
Document Type:	Visual material
All Authors / Contributors:	Ian Duncan; Andrew Sachs; Ben Johnson; Patrick Hughes; Films for the Humanities (Firm); Windfall Films (Firm); Arts Council of England.; British Broadcasting Corporation. Find more information about:
OCLC Number:	55114418
Notes:	Released previously in VHS format.
Credits:	Photography, Mike Coles, Richard Comrie ; film editor, Paul Shepard ; music, Peter Howell.
Performer(s):	Narrator, Andrew Sachs ; painters, Ben Johnson, Patrick Hughes.
Description:	1 videodisc (30 min.) : sd., col. ; 4 3/4 in.
Details:	DVD.
Series Title:	Oil on canvas.
Responsibility:	Windfall Films ; BBC & the Arts Council of England ; produced and directed by Ian Duncan.

Abstract:

Tracing the use of perspective (beginning in the 15th century) a pair of painters discuss how artists at the beginning of the 20th century rebelled agianst its limitations. One then uses a computer to create a perfect perspective model for a planned painting, while the other completely subverts the rules of perspective in creating his own work.

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