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Perverse Midrash : Oscar Wilde, André Gide, and censorship of biblical drama

Author: Katherine Brown Downey
Publisher: New York : Continuum, ©2004.
Edition/Format:   Book : EnglishView all editions and formats
Database:WorldCat
Summary:

Downey uses Oscar Wilde's Salome and Andre Gide's Saul to discuss censorship of biblical drama from the sixteenth century through the nineteenth century.

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Additional Physical Format: Online version:
Downey, Katherine Brown.
Perverse Midrash.
New York : Continuum, ©2004
(OCoLC)637176084
Named Person: Oscar Wilde; Salome, (Biblical figure); Oscar Wilde; André Gide; Saul, King of Israel; André Gide; Oscar Wilde; Oscar Wilde; André Gide; André Gide; Oscar Wilde; André Gide
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Katherine Brown Downey
ISBN: 0826416225 9780826416223 0826416217 9780826416216
OCLC Number: 55645008
Description: xi, 180 pages ; 23 cm
Contents: Prologue: "Half Biblical, Half Pornographic" --
Act I: Cultural Dialogues --
Scene 1: Nostos and Shavah: Recovering Spiritual Origins --
The Bible and the Theatre --
Biblical Criticism and Popularization --
Symboliste Theatre and Reform --
Scene 2: Unveiling Fears: Literary History as Guardian of Culture --
Accounting for the Medieval Mysteries --
Defending Censorship of the Bible on Stage --
"Abuses" and Fears --
Act II: Interpretive Monologues --
Scene 1: Manifesting Fears: Oscar Wilde's Salomé --
Sources of the Salome Legend --
Wilde's Salomé --
Wilde's Desire and "Religious Drama" --
Scene 2: Perverting the Text: André Gide's Saül --
The "Biblical" Account --
The Interpretive Problem --
Gide's Perversions --
Epilogue: Perverse Midrashim --
Overcoming Adversity --
A Subversive Genre --
Reverting to Wilde and Gide --
Works Cited.
Responsibility: Katherine Brown Downey.
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"Sometimes it takes one to know one. Oscar Wilde and Andre Gide, writers thought scandalous and subversive in their day, responded with unique sympathy to scandal and subversion in the Bible. With Read more...

 
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