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Philip Larkin : the poet's plight

Auteur : James Booth
Éditeur : Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, 2005.
Édition/format :   Livre : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
"James Booth reads Philip Larkin's mature poetry in terms of his ambiguous self-image as lonely, anti-social outsider, plighted to his art, and as nine-to-five librarian, sharing the common plight of humanity. Larkin is a poet of inexpressible transcendence, but also of afternoons in the park, housing estates, ambulances, and the toad work. Whether discussing Larkin's poems of love and intimacy or uncovering his  Lire la suite...
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Détails

Genre/forme : Criticism, interpretation, etc
Personne nommée : Philip Larkin; Philip Larkin
Type d’ouvrage : Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : James Booth
ISBN : 1403918341 9781403918345
Numéro OCLC : 57694995
Description : ix, 230 p. ; 23 cm.
Contenu : The poet's plight --
The delight of poetry --
Idiolect --
Form and genre --
Oeuvre --
Poetry as a living --
Professing poetry --
Librarian-poet --
Money --
Loves and muses I --
Life into art --
'Your mum' --
The broken engagement --
Flirtation --
An affair --
Loves and muses II --
'My wife' --
The long courtship --
A late fling --
Poetic histories --
Time and history --
Distances --
'The movement' --
Dates --
Politics --
Place and nation --
Living rooms --
Metaphor --
Rooms --
Parlour and attic --
Home --
Travelling coincidence --
Death's waiting-room --
Empty gestures --
Larkin as elegist --
The elegiac --
Memento mori --
Orpheus and Pan --
Metaphor in extremis --
Self-elegy --
Last words.
Responsabilité : by James Booth.
Plus d’informations :

Résumé :

"James Booth reads Philip Larkin's mature poetry in terms of his ambiguous self-image as lonely, anti-social outsider, plighted to his art, and as nine-to-five librarian, sharing the common plight of humanity. Larkin is a poet of inexpressible transcendence, but also of afternoons in the park, housing estates, ambulances, and the toad work. Whether discussing Larkin's poems of love and intimacy or uncovering his hidden metaphorical structures, Booth's focus is always on Larkin's artistry with words, the 'verbal devices' through which this purest of lyric poets celebrates 'the experience, the beauty'. Booth's close readings succeed in opening out wide theoretical perspectives on the relationship between art and biography, the nature of metaphor, and the different modes of elegy."--BOOK JACKET.

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Données liées


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