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Philip Larkin : the poet's plight

Autor: James Booth
Editora: Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, 2005.
Edição/Formato   Livro : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"James Booth reads Philip Larkin's mature poetry in terms of his ambiguous self-image as lonely, anti-social outsider, plighted to his art, and as nine-to-five librarian, sharing the common plight of humanity. Larkin is a poet of inexpressible transcendence, but also of afternoons in the park, housing estates, ambulances, and the toad work. Whether discussing Larkin's poems of love and intimacy or uncovering his  Ler mais...
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Detalhes

Pessoa Denominada: Philip Larkin
Tipo de Material: Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: James Booth
ISBN: 1403918341 9781403918345
Número OCLC: 57694995
Descrição: ix, 230 p. ; 23 cm.
Conteúdos: The poet's plight --
The delight of poetry --
Idiolect --
Form and genre --
Oeuvre --
Poetry as a living --
Professing poetry --
Librarian-poet --
Money --
Loves and muses I --
Life into art --
'Your mum' --
The broken engagement --
Flirtation --
An affair --
Loves and muses II --
'My wife' --
The long courtship --
A late fling --
Poetic histories --
Time and history --
Distances --
'The movement' --
Dates --
Politics --
Place and nation --
Living rooms --
Metaphor --
Rooms --
Parlour and attic --
Home --
Travelling coincidence --
Death's waiting-room --
Empty gestures --
Larkin as elegist --
The elegiac --
Memento mori --
Orpheus and Pan --
Metaphor in extremis --
Self-elegy --
Last words.
Responsabilidade: by James Booth.
Mais informações:

Resumo:

"James Booth reads Philip Larkin's mature poetry in terms of his ambiguous self-image as lonely, anti-social outsider, plighted to his art, and as nine-to-five librarian, sharing the common plight of humanity. Larkin is a poet of inexpressible transcendence, but also of afternoons in the park, housing estates, ambulances, and the toad work. Whether discussing Larkin's poems of love and intimacy or uncovering his hidden metaphorical structures, Booth's focus is always on Larkin's artistry with words, the 'verbal devices' through which this purest of lyric poets celebrates 'the experience, the beauty'. Booth's close readings succeed in opening out wide theoretical perspectives on the relationship between art and biography, the nature of metaphor, and the different modes of elegy."--BOOK JACKET.

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