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Philosophy of modern music.

Autore: Theodor W Adorno
Editore: New York, Seabury Press [1973]
Serie: Continuum book.
Edizione/Formato:   book_printbook : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
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Genere/forma: Criticism, interpretation, etc
Informazioni aggiuntive sul formato: Online version:
Adorno, Theodor W., 1903-1969.
Philosophy of modern music.
New York, Seabury Press [1973]
(OCoLC)735134606
Persona incaricata: Arnold Schoenberg; Igor Stravinsky; Arnold Schoenberg; Igor Féodorovitch Stravinski; Arnold Schoenberg; Igor Stravinsky
Tipo documento: Book
Tutti gli autori / Collaboratori: Theodor W Adorno
ISBN: 081649133X 9780816491339
Numero OCLC: 715423
Descrizione: xiv, 220 pages 22 cm.
Contenuti: Choice of subject matter --
New conformism --
False musical consciousness --
"Intellectualism" --
Modern music unprotected --
The antinomy of modern music --
Growing indifferentism --
On method --
Schoenberg and progress: disturbance of the work --
Inherent tendency of musical material --
Schenberg's criticism of illusion and play --
Dialectics of loneliness --
Loneliness as style --
Expressionism as objectivity --
Total organization of the elements of music --
Total development --
The concept of twelve-tone technique --
Musical domination of nature --
Loss of freedom --
Twelve-tone melos and rhythm --
Differentiation and coarsening --
Harmony --
Instrumental timbre --
Twelve-tone counterpoint --
Function of counterpoint --
Form --
The composers --
Avan-tgarde and theory --
Renunciation of material --
Cognitive character --
Attitude towards society. Stravinsky and restoration: Authenticity --
Sacrifice and the absence of intention --
Hand organ as a primeval phenomenon --
Sacre and African sculpture --
Technical elements in Sacre --
"Rhythm," --
Identification with the collective --
Archaism, modernism, infantilism --
Permanent regression and musical form --
The psychotic aspect --
Ritual --
Alienation as objectivity --
Fetishism of the means --
Depersonalization --
Hebephrenia --
Catatonia --
Music about music --
Denaturation and simplification --
Dissociation of time --
Music-A pseudomorphism of painting --
Theory of ballet music --
Modes of listening --
The deception of objectivism --
The final trick --
Neo-classicism --
Experiments in expansion --
Schoenberg and Stravinsky.
Titolo della serie: Continuum book.
Altri titoli: Philosophie der neuen Musik.
Responsabilità: Translated by Anne G. Mitchell and Wesley V. Blomster.

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