pular para conteúdo
Philosophy of modern music. Ver prévia deste item
FecharVer prévia deste item
Checando...

Philosophy of modern music.

Autor: Theodor W Adorno
Editora: New York, Seabury Press [1973]
Séries: Continuum book.
Edição/Formato   Livro : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Classificação:

(ainda não classificado) 0 com críticas - Seja o primeiro.

Assuntos
Mais como este

 

Encontrar uma cópia na biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que possuem este item...

Detalhes

Formato Físico Adicional: Online version:
Adorno, Theodor W., 1903-1969.
Philosophy of modern music.
New York, Seabury Press [1973]
(OCoLC)735134606
Pessoa Denominada: Arnold Schoenberg; Igor Stravinsky; Arnold Schoenberg; Igor Féodorovitch Stravinski
Tipo de Documento: Livro
Todos os Autores / Contribuintes: Theodor W Adorno
ISBN: 081649133X 9780816491339
Número OCLC: 715423
Descrição: xiv, 220 pages 22 cm.
Conteúdos: Choice of subject matter --
New conformism --
False musical consciousness --
"Intellectualism" --
Modern music unprotected --
The antinomy of modern music --
Growing indifferentism --
On method --
Schoenberg and progress: disturbance of the work --
Inherent tendency of musical material --
Schenberg's criticism of illusion and play --
Dialectics of loneliness --
Loneliness as style --
Expressionism as objectivity --
Total organization of the elements of music --
Total development --
The concept of twelve-tone technique --
Musical domination of nature --
Loss of freedom --
Twelve-tone melos and rhythm --
Differentiation and coarsening --
Harmony --
Instrumental timbre --
Twelve-tone counterpoint --
Function of counterpoint --
Form --
The composers --
Avan-tgarde and theory --
Renunciation of material --
Cognitive character --
Attitude towards society. Stravinsky and restoration: Authenticity --
Sacrifice and the absence of intention --
Hand organ as a primeval phenomenon --
Sacre and African sculpture --
Technical elements in Sacre --
"Rhythm," --
Identification with the collective --
Archaism, modernism, infantilism --
Permanent regression and musical form --
The psychotic aspect --
Ritual --
Alienation as objectivity --
Fetishism of the means --
Depersonalization --
Hebephrenia --
Catatonia --
Music about music --
Denaturation and simplification --
Dissociation of time --
Music-A pseudomorphism of painting --
Theory of ballet music --
Modes of listening --
The deception of objectivism --
The final trick --
Neo-classicism --
Experiments in expansion --
Schoenberg and Stravinsky.
Título da Série: Continuum book.
Outros Títulos: Philosophie der neuen Musik.
Responsabilidade: Translated by Anne G. Mitchell and Wesley V. Blomster.

Críticas

Críticas contribuídas por usuários
Recuperando críticas GoodReas...
Recuperando comentários DOGObooks

Etiquetas

Seja o primeiro.

Ítens Similares

Confirmar esta solicitação

Você já pode ter solicitado este item. Por favor, selecione Ok se gostaria de proceder com esta solicitação de qualquer forma.

Dados Ligados


<http://www.worldcat.org/oclc/715423>
library:oclcnum"715423"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/715423>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"1973"
schema:description"Stravinsky and restoration: Authenticity -- Sacrifice and the absence of intention -- Hand organ as a primeval phenomenon -- Sacre and African sculpture -- Technical elements in Sacre -- "Rhythm," -- Identification with the collective -- Archaism, modernism, infantilism -- Permanent regression and musical form -- The psychotic aspect -- Ritual -- Alienation as objectivity -- Fetishism of the means -- Depersonalization -- Hebephrenia -- Catatonia -- Music about music -- Denaturation and simplification -- Dissociation of time -- Music-A pseudomorphism of painting -- Theory of ballet music -- Modes of listening -- The deception of objectivism -- The final trick -- Neo-classicism -- Experiments in expansion -- Schoenberg and Stravinsky."@en
schema:description"Choice of subject matter -- New conformism -- False musical consciousness -- "Intellectualism" -- Modern music unprotected -- The antinomy of modern music -- Growing indifferentism -- On method -- Schoenberg and progress: disturbance of the work -- Inherent tendency of musical material -- Schenberg's criticism of illusion and play -- Dialectics of loneliness -- Loneliness as style -- Expressionism as objectivity -- Total organization of the elements of music -- Total development -- The concept of twelve-tone technique -- Musical domination of nature -- Loss of freedom -- Twelve-tone melos and rhythm -- Differentiation and coarsening -- Harmony -- Instrumental timbre -- Twelve-tone counterpoint -- Function of counterpoint -- Form -- The composers -- Avan-tgarde and theory -- Renunciation of material -- Cognitive character -- Attitude towards society."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1411365001>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"Philosophy of modern music."@en
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Close Window

Por favor, conecte-se ao WorldCat 

Não tem uma conta? Você pode facilmente criar uma conta gratuita.