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The philosophy of Spike Lee

Verfasser/in: Mark T Conard
Verlag: Lexington, Ky. : University Press of Kentucky, ©2011.
Serien: Philosophy of popular culture.
Ausgabe/Format   Print book : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
Presents a series of essays which discuss the major themes and underlying philosophy behind the films of the African American director.
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Gattung/Form: Aufsatzsammlung
Criticism, interpretation, etc
Name: Spike Lee; Spike Lee; Spike Lee; Spike Lee; Spike Lee; Spike Lee
Medientyp: Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Mark T Conard
ISBN: 9780813133805 0813133807 9780813133812 0813133815
OCLC-Nummer: 682895318
Beschreibung: ix, 251 pages ; 24 cm.
Inhalt: Preface --
Justice, value, and the nature of evil. The symbolism of blood in Clockers / Douglas McFarland --
The prostitution trap of elite sport in He got game / Jason Holt and Robert Pitter --
Aristotle and MacIntyre on Justice in 25th Hour / Mark T. Conard --
We can't get off the bus: a commentary on Spike Lee and moral motivation / Gabriella Beckles-Raymond --
Monsters and moralism in Summer of Sam / R. Barton Palmer --
Race, sexuality, and community. (Still) fighting the power: public space and the unspeakable privacy of the other in Do the right thing / Elizabeth Hope Finnegan --
Coworking in the kingdom of culture: identity and community in the films of Spike Lee / Charles F. Peterson --
Feminists and "freaks": She's gotta have it and Girl / Karen D. Hoffman --
The dialectic of King and X in Do the right thing / Michael Silberstein --
Fevered desires and interracial intimacies in Jungle fever / Ronald R. Sundstrom --
Bamboozled: philosophy through blackface / --
Dan Flory --
Time, the subject, and transcendence. Transcendence and sublimity in Spike Lee's signature shot / Jerold J. Abrams --
Economies of time in Clockers / Richard Gilmore --
Rethinking the first person: autobiography, authorship, and the contested self in Malcolm X / David LaRocca.
Serientitel: Philosophy of popular culture.
Verfasserangabe: edited by Mark T. Conard.

Abstract:

Presents a series of essays which discuss the major themes and underlying philosophy behind the films of the African American director.

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""A valuable contribution to the fields of both philosophy and film studies." -- Kimberly A. Blessing, Buffalo State College" -- </p>

 
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