aller au contenu
The philosophy of Steven Soderbergh Aperçu de cet ouvrage
FermerAperçu de cet ouvrage
Vérifiant…

The philosophy of Steven Soderbergh

Auteur : R Barton Palmer; Steven Sanders
Éditeur : Lexington, Ky. : University Press of Kentucky, ©2011.
Collection : Philosophy of popular culture.
Édition/format :   Livre électronique : Document : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the Palme d'Or. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique  Lire la suite...
Évaluation :

(pas encore évalué) 0 avec des critiques - Soyez le premier.

Sujets
Plus comme ceci

 

Trouver un exemplaire en ligne

Liens vers cet ouvrage

Trouver un exemplaire dans la bibliothèque

&AllPage.SpinnerRetrieving; Recherche de bibliothèques qui possèdent cet ouvrage...

Détails

Genre/forme : Electronic books
Criticism, interpretation, etc
Format – détails additionnels : Print version:
Philosophy of Steven Soderbergh.
Lexington, Ky. : University Press of Kentucky, ©2011
(DLC) 2010036022
(OCoLC)639159505
Personne nommée : Steven Soderbergh; Steven Soderbergh
Type d’ouvrage : Document, Ressource Internet
Format : Ressource Internet, Fichier informatique
Tous les auteurs / collaborateurs : R Barton Palmer; Steven Sanders
ISBN : 9780813126630 0813126630
Numéro OCLC : 703156099
Description : 1 online resource (ix, 318 pages).
Contenu : Introduction / R. Barton Palmer and Steven M. Sanders --
Knowledge, truth, sexuality. Knowledge, truth, and thought experiments in Schizopolis and Sex, lies, and videotape / David Rodríguez-Ruiz --
Love, truth, and the medium in Sex, lies, and videotape / Yannis Tzioumakis --
Amplified discourse and desire in Sex, lies, and videotape / Murray Pomerance --
Temporality, intertextuality, genre. Alain Resnais meets film noir in The underneath and The limey / R. Barton Palmer --
Consciousness, temporality, and the crime-revenge genre in The limey / Geoff King --
Intertextuality, broken mirrors, and The good German / Andrew deWaard --
Remade by Steven Soderbergh / Aaron Baker --
Self-reflexivity, self-centeredness, autobiography. Philosophical reflections on Steven Soderbergh's Kafka / Ivo Ritzer --
Responsibility and self-centered narration in Erin Brockovich / Andrew Patrick Nelson --
Schizopolis as philosophical autobiography / Drew Morton --
Politics, morals, methodology. Mr. Soderbergh goes to Washington / Steven M. Sanders --
Schizoanalyzing the informant / David Sterritt --
Competing modes of capital in Ocean's eleven / R. Colin Tait --
An ethical analysis of Traffic / Shai Biderman and William J. Devlin --
Simulacra, space, Solaris. The philosophy of space and memory in Solaris / Douglas McFarland --
Solaris, cinema, and Simulacra / Michael Valdez Moses.
Titre de collection : Philosophy of popular culture.
Responsabilité : edited by R. Barton Palmer and Steven M. Sanders.

Résumé :

Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the Palme d'Or. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique story lines and innovative approaches to filmmaking that distinguish this celebrated artist. Editors R. Barton Palmer and Steven M. Sanders have brought together leading scholars in.

Critiques

Critiques éditoriales

Synopsis de l’éditeur

""Although a biographer can never really tell the complete story of a celebrity, Barton comes as close to the truth as we are likely to get." -- King Features Weekly Service" --

 
Critiques d’utilisateurs
Récupération des critiques de GoodReads...
Récuperation des critiques DOGObooks…

Tags

Soyez le premier.
Confirmez cette demande

Vous avez peut-être déjà demandé cet ouvrage. Veuillez sélectionner OK si vous voulez poursuivre avec cette demande quand même.

Données liées


<http://www.worldcat.org/oclc/703156099>
library:oclcnum"703156099"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/703156099>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:bookFormatschema:EBook
schema:contributor
schema:contributor
schema:copyrightYear"2011"
schema:datePublished"2011"
schema:description"Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the Palme d'Or. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique story lines and innovative approaches to filmmaking that distinguish this celebrated artist. Editors R. Barton Palmer and Steven M. Sanders have brought together leading scholars in."@en
schema:description"Introduction / R. Barton Palmer and Steven M. Sanders -- Knowledge, truth, sexuality. Knowledge, truth, and thought experiments in Schizopolis and Sex, lies, and videotape / David Rodríguez-Ruiz -- Love, truth, and the medium in Sex, lies, and videotape / Yannis Tzioumakis -- Amplified discourse and desire in Sex, lies, and videotape / Murray Pomerance -- Temporality, intertextuality, genre. Alain Resnais meets film noir in The underneath and The limey / R. Barton Palmer -- Consciousness, temporality, and the crime-revenge genre in The limey / Geoff King -- Intertextuality, broken mirrors, and The good German / Andrew deWaard -- Remade by Steven Soderbergh / Aaron Baker -- Self-reflexivity, self-centeredness, autobiography. Philosophical reflections on Steven Soderbergh's Kafka / Ivo Ritzer -- Responsibility and self-centered narration in Erin Brockovich / Andrew Patrick Nelson -- Schizopolis as philosophical autobiography / Drew Morton -- Politics, morals, methodology. Mr. Soderbergh goes to Washington / Steven M. Sanders -- Schizoanalyzing the informant / David Sterritt -- Competing modes of capital in Ocean's eleven / R. Colin Tait -- An ethical analysis of Traffic / Shai Biderman and William J. Devlin -- Simulacra, space, Solaris. The philosophy of space and memory in Solaris / Douglas McFarland -- Solaris, cinema, and Simulacra / Michael Valdez Moses."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1110445792>
schema:genre"Electronic books."@en
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"The philosophy of Steven Soderbergh"@en
schema:publisher
schema:url<http://site.ebrary.com/id/10443248>
schema:url
schema:url<http://public.eblib.com/choice/publicfullrecord.aspx?p=792308>
schema:url<http://muse.jhu.edu/books/9780813126630/>
schema:url<http://www.myilibrary.com?id=297618>
schema:url<http://www.jstor.org/stable/10.2307/j.ctt2jct7c>
schema:url<http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=356075>
schema:workExample

Content-negotiable representations

Fermer la fenêtre

Veuillez vous identifier dans WorldCat 

Vous n’avez pas de compte? Vous pouvez facilement créer un compte gratuit.