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The philosophy of Steven Soderbergh

Autore: R Barton Palmer; Steven Sanders
Editore: Lexington, Ky. : University Press of Kentucky, ©2011.
Serie: Philosophy of popular culture.
Edizione/Formato:   eBook : Document : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the Palme d'Or. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique  Per saperne di più…
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Genere/forma: Electronic books
Criticism, interpretation, etc
Informazioni aggiuntive sul formato: Print version:
Philosophy of Steven Soderbergh.
Lexington, Ky. : University Press of Kentucky, ©2011
(DLC) 2010036022
(OCoLC)639159505
Persona incaricata: Steven Soderbergh; Steven Soderbergh
Tipo materiale: Document, Risorsa internet
Tipo documento: Internet Resource, Computer File
Tutti gli autori / Collaboratori: R Barton Palmer; Steven Sanders
ISBN: 9780813126630 0813126630
Numero OCLC: 703156099
Descrizione: 1 online resource (ix, 318 pages).
Contenuti: Introduction / R. Barton Palmer and Steven M. Sanders --
Knowledge, truth, sexuality. Knowledge, truth, and thought experiments in Schizopolis and Sex, lies, and videotape / David Rodríguez-Ruiz --
Love, truth, and the medium in Sex, lies, and videotape / Yannis Tzioumakis --
Amplified discourse and desire in Sex, lies, and videotape / Murray Pomerance --
Temporality, intertextuality, genre. Alain Resnais meets film noir in The underneath and The limey / R. Barton Palmer --
Consciousness, temporality, and the crime-revenge genre in The limey / Geoff King --
Intertextuality, broken mirrors, and The good German / Andrew deWaard --
Remade by Steven Soderbergh / Aaron Baker --
Self-reflexivity, self-centeredness, autobiography. Philosophical reflections on Steven Soderbergh's Kafka / Ivo Ritzer --
Responsibility and self-centered narration in Erin Brockovich / Andrew Patrick Nelson --
Schizopolis as philosophical autobiography / Drew Morton --
Politics, morals, methodology. Mr. Soderbergh goes to Washington / Steven M. Sanders --
Schizoanalyzing the informant / David Sterritt --
Competing modes of capital in Ocean's eleven / R. Colin Tait --
An ethical analysis of Traffic / Shai Biderman and William J. Devlin --
Simulacra, space, Solaris. The philosophy of space and memory in Solaris / Douglas McFarland --
Solaris, cinema, and Simulacra / Michael Valdez Moses.
Titolo della serie: Philosophy of popular culture.
Responsabilità: edited by R. Barton Palmer and Steven M. Sanders.

Abstract:

Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the Palme d'Or. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique story lines and innovative approaches to filmmaking that distinguish this celebrated artist. Editors R. Barton Palmer and Steven M. Sanders have brought together leading scholars in.

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""This book provides provocative, insightful, and instructive analysis of the cinematic and philosophical significance of Steven Soderbergh's work." -- Jason Holt, editor of "The Daily Show and Per saperne di più…

 
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