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The philosophy of Steven Soderbergh

著者: R Barton Palmer; Steven Sanders
出版: Lexington, Ky. : University Press of Kentucky, ©2011.
シリーズ: Philosophy of popular culture.
エディション/フォーマット:   電子書籍 : Document : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the Palme d'Or. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique  続きを読む
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ジャンル/形式: Electronic books
Criticism, interpretation, etc
その他のフォーマット: Print version:
Philosophy of Steven Soderbergh.
Lexington, Ky. : University Press of Kentucky, ©2011
(DLC) 2010036022
(OCoLC)639159505
関連の人物: Steven Soderbergh; Steven Soderbergh
資料の種類: Document, インターネット資料
ドキュメントの種類: インターネットリソース, コンピューターファイル
すべての著者/寄与者: R Barton Palmer; Steven Sanders
ISBN: 9780813126630 0813126630
OCLC No.: 703156099
物理形態: 1 online resource (ix, 318 pages).
コンテンツ: Introduction / R. Barton Palmer and Steven M. Sanders --
Knowledge, truth, sexuality. Knowledge, truth, and thought experiments in Schizopolis and Sex, lies, and videotape / David Rodríguez-Ruiz --
Love, truth, and the medium in Sex, lies, and videotape / Yannis Tzioumakis --
Amplified discourse and desire in Sex, lies, and videotape / Murray Pomerance --
Temporality, intertextuality, genre. Alain Resnais meets film noir in The underneath and The limey / R. Barton Palmer --
Consciousness, temporality, and the crime-revenge genre in The limey / Geoff King --
Intertextuality, broken mirrors, and The good German / Andrew deWaard --
Remade by Steven Soderbergh / Aaron Baker --
Self-reflexivity, self-centeredness, autobiography. Philosophical reflections on Steven Soderbergh's Kafka / Ivo Ritzer --
Responsibility and self-centered narration in Erin Brockovich / Andrew Patrick Nelson --
Schizopolis as philosophical autobiography / Drew Morton --
Politics, morals, methodology. Mr. Soderbergh goes to Washington / Steven M. Sanders --
Schizoanalyzing the informant / David Sterritt --
Competing modes of capital in Ocean's eleven / R. Colin Tait --
An ethical analysis of Traffic / Shai Biderman and William J. Devlin --
Simulacra, space, Solaris. The philosophy of space and memory in Solaris / Douglas McFarland --
Solaris, cinema, and Simulacra / Michael Valdez Moses.
シリーズタイトル: Philosophy of popular culture.
責任者: edited by R. Barton Palmer and Steven M. Sanders.

概要:

Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the Palme d'Or. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique story lines and innovative approaches to filmmaking that distinguish this celebrated artist. Editors R. Barton Palmer and Steven M. Sanders have brought together leading scholars in.

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""This book provides provocative, insightful, and instructive analysis of the cinematic and philosophical significance of Steven Soderbergh's work." -- Jason Holt, editor of "The Daily Show and 続きを読む

 
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