跳至内容
Photo souvenir 線上預覽
關閉線上預覽
正在查...

Photo souvenir

作者: Philippe Koudjina; Paul Cohen; Martijn van Haalen; VPRO.; First Run/Icarus Films.
出版商: Brooklyn, NY : First Run/Icarus Films, [2007]
版本/格式:   DVD影像 : 法文所有版本和格式的總覽
資料庫:WorldCat
提要:
"During the social and cultural euphoria of a newly independent Niger in the 1960s, Philippe Koudjina worked as a photojournalist and later opened his own photo studio. For many years, his snapshots of the youth scene in Niamey and his individual and family portraits provided Koudjina with a national reputation and a good living. Today Koudjina has fallen on hard times. He is no longer able to take photos because he  再讀一些...
評定級別:

(尚未評分) 0 附有評論 - 成爲第一個。

主題
更多類似這樣的

 

在圖書館查詢

&AllPage.SpinnerRetrieving; 正在查詢有此資料的圖書館...

詳細書目

提及的人: Philippe Koudjina; Philippe Koudjina
資料類型: 錄影
文件類型: 影像資料
所有的作者/貢獻者: Philippe Koudjina; Paul Cohen; Martijn van Haalen; VPRO.; First Run/Icarus Films.
OCLC系統控制編碼: 183329274
語言註釋: In French with English subtitles; credits in English.
注意: Produced as a documentary in 2006.
餘額: Producer, director and camera, Paul Cohen; director and sound, Martijn van Haalen; editor, Gys Zevenbergen; executive producer, Estelle Bovelander.
表演者: Featuring Philippe Koudjina.
描述: 1 videodisc (54 min.) : sd., col. ; 4 3/4 in.
詳述: DVD; stereo.
責任: VPRO TV and CPS Films present ; a film by Paul Cohen, Martijn van Haalen.

摘要:

"During the social and cultural euphoria of a newly independent Niger in the 1960s, Philippe Koudjina worked as a photojournalist and later opened his own photo studio. For many years, his snapshots of the youth scene in Niamey and his individual and family portraits provided Koudjina with a national reputation and a good living. Today Koudjina has fallen on hard times. He is no longer able to take photos because he is slowly losing his sight to glaucoma, and after having been hit by a car, he must use crutches to get around. His cameras, photographic equipment and a disorganized collection of negatives gather dust in a decaying cupboard, while he begs on the street in order to survive. Photo souvenir features interviews with Koudjina, and contrasts his desperate situation with the fortunes of other African photographers such as Malick Sidibé and Seydou Keita, whose work from the same period has brought them renewed attention and financial rewards. While the film documents the effort by two French photo connoisseurs to organize an exhibition of Koudjina's work in Paris, Photo souvenir reveals the fickle cultural process by which one-time "photo souvenirs" become "photographic art," and whether or not an artistic reputation is made in the western world"--container.

評論

讀者提供的評論
正在擷取GoodReads評論...
正在擷取DOGObooks的評論

標籤

所有的讀者標籤 (4)

檢視最熱門的標籤,呈現的形式是: 標籤我的最愛清單 | 標籤雲(tag cloud)

確認申請

你可能已經申請過這份資料。若還是想申請,請選確認。

連結資料


<http://www.worldcat.org/oclc/183329274>
library:oclcnum"183329274"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/183329274>
rdf:typej.2:DVD
rdf:typeschema:Movie
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:contributor
schema:contributor
schema:contributor
schema:contributor
schema:datePublished"2007"
schema:description""During the social and cultural euphoria of a newly independent Niger in the 1960s, Philippe Koudjina worked as a photojournalist and later opened his own photo studio. For many years, his snapshots of the youth scene in Niamey and his individual and family portraits provided Koudjina with a national reputation and a good living. Today Koudjina has fallen on hard times. He is no longer able to take photos because he is slowly losing his sight to glaucoma, and after having been hit by a car, he must use crutches to get around. His cameras, photographic equipment and a disorganized collection of negatives gather dust in a decaying cupboard, while he begs on the street in order to survive. Photo souvenir features interviews with Koudjina, and contrasts his desperate situation with the fortunes of other African photographers such as Malick Sidibé and Seydou Keita, whose work from the same period has brought them renewed attention and financial rewards. While the film documents the effort by two French photo connoisseurs to organize an exhibition of Koudjina's work in Paris, Photo souvenir reveals the fickle cultural process by which one-time "photo souvenirs" become "photographic art," and whether or not an artistic reputation is made in the western world"--container."
schema:exampleOfWork<http://worldcat.org/entity/work/id/117355042>
schema:name"Photo souvenir"
schema:publisher
schema:url

Content-negotiable representations

關閉視窗

請登入WorldCat 

没有帳號嗎?你可很容易的 建立免費的帳號.