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Photography after conceptual art

Autor Diarmuid Costello; Margaret Iversen; Association of Art Historians (Great Britain)
Vydavatel: Chichester, West Sussex, UK ; Malden, MA, USA : Wiley-Blackwell ; [Great Britain] : Association of Art Historians, 2010.
Edice: Art history special issue book series.
Vydání/formát:   book_printbook : EnglishZobrazit všechny vydání a formáty
Databáze:WorldCat
Shrnutí:
Photography after Conceptual Art addresses substantive theoretical, historical and aesthetic issues raised by post-1960s photography as a mainstream artistic medium. Contributions trace photographic art's remarkable transformation form the 'non-aesthetic' uses of the medium associated with various conceptual and post-conceptual practices of the 1960s and 1970s to the large scale pictorial color images that have  Přečíst více...
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Detaily

Žánr/forma: Aufsatzsammlung
Typ dokumentu: Book
Všichni autoři/tvůrci: Diarmuid Costello; Margaret Iversen; Association of Art Historians (Great Britain)
ISBN: 9781444333602 1444333607
OCLC číslo: 502419285
Poznámky: "Originally published as Volume 32, Issue 5 of Art history"--T.p. verso.
Popis: vii, 200 p. : ill. (some col.) ; 25 cm.
Obsahy: Auto-maticity: Ruscha and performative photography / Margaret Iversen --
Ed Ruscha, Heidegger, and deadpan photography / Aron Vinegar --
Subject, object, mimesis: the aesthetic world of the Bechers' photography / Sarah E. James --
Exit ghost: Douglas Huebler's face value / Gordon Hughes --
Productive misunderstandings: interpreting Mel Bochner's theory of photography / Luke Skrebowski --
Roni Horn's Icelandic encyclopedia / Mark Godfrey --
Thomas Demand, Jeff Wall and Sherrie Levine: deforming 'pictures' / Tamara Trodd --
Almost Merovingian: on Jeff Wall's relation to nearly everything / Wolfgang Brückle --
Morning cleaning: Jeff Wall and The large glass / Christine Conley.
Název edice: Art history special issue book series.
Jiné tituly: Art History.
Odpovědnost: edited by Diarmuid Costello and Margaret Iversen.

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Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic  Přečíst více...

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"This volume is the product of both a large-scale research grant and a conference ... All the same, this book could be of interest to those teaching and studying photography in contemporary art." Přečíst více...

 
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