aller au contenu
Photography after Frank Aperçu de cet ouvrage
FermerAperçu de cet ouvrage
Vérifiant…

Photography after Frank

Auteur : Philip Gefter
Éditeur : New York : Aperture : D.A.P./Distributed Art Publishers [distributor], ©2009.
Édition/format :   Livre : Biographie : Anglais : 1st edVoir toutes les éditions et les formats
Base de données :WorldCat
Évaluation :

(pas encore évalué) 0 avec des critiques - Soyez le premier.

Sujets
Plus comme ceci

 

Trouver un exemplaire dans la bibliothèque

&AllPage.SpinnerRetrieving; Recherche de bibliothèques qui possèdent cet ouvrage...

Détails

Genre/forme : Biography
History
Personne nommée : Robert Frank; Robert Frank
Type d’ouvrage : Biographie
Format : Livre
Tous les auteurs / collaborateurs : Philip Gefter
ISBN : 9781597110952 1597110957
Numéro OCLC : 276334173
Notes : Includes index.
Description : 223 pages : illustrations (some color) ; 23 cm
Contenu : Why MoMA is giving its largest solo photography exhibition ever to Lee Friedlander --
Travels with Walker, Robert, and Andy. On Stephen Shore --
Southern exposures: past and present through the lens of William Christenberry --
John Szarkowski, curator of photography, dies at eighty-one --
Imagist's eye. On Henry Wessel --
Beauty is not a four-letter word. On Richard Misrach --
Tableau inside your town hall. On Paul Shambroom --
Bernd Becher, photographer of German industrial landscape, dies --
Keeping it real: photo-realism --
Portraits of American paradises, mostly lost. On Joel Sternfeld --
Keeping his eye on the horizon (line). On Sze Tsung Leong --
Photographic icons: fact, fiction or metaphor? --
Picnic that never was. On Beate Gutschow --
As unpretty as a picture. On Eric Fischl --
Moments in time, yet somehow in motion. On JoAnn Verburg --
Robert Polidori: in the studio --
Young man with an eye, and friends up a tree. On Ryan McGinley --
Page one: a conversation with Philip Gefter, picture editor of the New York times' front page / by Veronique Vienne --
History's first draft looks much better with pictures --
Reflections of New York's luckiest: Look magazine --
Reading newspaper pictures: a thousand words, and then some --
Cornell Capa, photojournalist and museum founder, dies at ninety --
Defining beauty through Avedon --
Self-portrait as obscure object of desire. On Jack Pierson --
Is that portrait staring at me? On Fiona Tan --
Pantheon of arts and letters in light and shadow. On Irving Penn --
Photographer's lie. On Annie Leibovitz --
Embalming the American dreamer. On Katy Grannan --
What eight-five hundred pictures are worth --
The man who made Mapplethorpe: a film about Sam Wagstaff --
The Avedon eye, trained on faces captured by others --
Photography reveals itself between covers --
Culture in context: photographs in Vince Aletti's magazine collection --
For photography, extreme home makeover --
Theater of the street, the subject of the photograph. On Philip-Lorca diCorcia --
Why photography has supersized itself --
A thousand words? How about $450,000? --
From a studio in Arkansas, a portrait of America. On Mike Disfarmer --
What's new in photography: anything but photos.
Responsabilité : essays by Philip Gefter.

Critiques

Critiques d’utilisateurs
Récupération des critiques de GoodReads...
Récuperation des critiques DOGObooks…

Tags

Tous les tags des utilisateurs (1)

Voir les tags les plus utilisés sous forme de : liste de tags | nuage de tags

Ouvrages semblables

Sujets associés :(8)

Listes d’utilisateurs dans lesquelles cet ouvrage apparaît (7)

Confirmez cette demande

Vous avez peut-être déjà demandé cet ouvrage. Veuillez sélectionner OK si vous voulez poursuivre avec cette demande quand même.

Données liées


<http://www.worldcat.org/oclc/276334173>
library:oclcnum"276334173"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/276334173>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:bookEdition"1st ed."
schema:copyrightYear"2009"
schema:creator
schema:datePublished"2009"
schema:description"Why MoMA is giving its largest solo photography exhibition ever to Lee Friedlander -- Travels with Walker, Robert, and Andy. On Stephen Shore -- Southern exposures: past and present through the lens of William Christenberry -- John Szarkowski, curator of photography, dies at eighty-one -- Imagist's eye. On Henry Wessel -- Beauty is not a four-letter word. On Richard Misrach -- Tableau inside your town hall. On Paul Shambroom -- Bernd Becher, photographer of German industrial landscape, dies -- Keeping it real: photo-realism -- Portraits of American paradises, mostly lost. On Joel Sternfeld -- Keeping his eye on the horizon (line). On Sze Tsung Leong -- Photographic icons: fact, fiction or metaphor? -- Picnic that never was. On Beate Gutschow -- As unpretty as a picture. On Eric Fischl -- Moments in time, yet somehow in motion. On JoAnn Verburg -- Robert Polidori: in the studio -- Young man with an eye, and friends up a tree. On Ryan McGinley -- Page one: a conversation with Philip Gefter, picture editor of the New York times' front page / by Veronique Vienne -- History's first draft looks much better with pictures -- Reflections of New York's luckiest: Look magazine -- Reading newspaper pictures: a thousand words, and then some -- Cornell Capa, photojournalist and museum founder, dies at ninety -- Defining beauty through Avedon -- Self-portrait as obscure object of desire. On Jack Pierson -- Is that portrait staring at me? On Fiona Tan -- Pantheon of arts and letters in light and shadow. On Irving Penn -- Photographer's lie. On Annie Leibovitz -- Embalming the American dreamer. On Katy Grannan -- What eight-five hundred pictures are worth -- The man who made Mapplethorpe: a film about Sam Wagstaff -- The Avedon eye, trained on faces captured by others -- Photography reveals itself between covers -- Culture in context: photographs in Vince Aletti's magazine collection -- For photography, extreme home makeover -- Theater of the street, the subject of the photograph. On Philip-Lorca diCorcia -- Why photography has supersized itself -- A thousand words? How about $450,000? -- From a studio in Arkansas, a portrait of America. On Mike Disfarmer -- What's new in photography: anything but photos."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/159158942>
schema:genre"History"@en
schema:genre"Biography."@en
schema:genre"History."@en
schema:genre"Biography"@en
schema:inLanguage"en"
schema:name"Photography after Frank"@en
schema:publisher
schema:publisher
schema:url
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBA930870>

Content-negotiable representations

Fermer la fenêtre

Veuillez vous identifier dans WorldCat 

Vous n’avez pas de compte? Vous pouvez facilement créer un compte gratuit.