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The photomontages of Hannah Höch

Author: Hannah HöchPeter W BoswellMaria Martha MakelaCarolyn LanchnerKristin MakholmAll authors
Publisher: Minneapolis : Walker Art Center, 1996.
Edition/Format:   Book : EnglishView all editions and formats
Database:WorldCat
Summary:
A pioneer in the medium of photomontage, Hannah Hoch (1889-1978) was the sole female member of the Berlin Dada movement and continued to produce innovative works well into the 1970s. In the decade and a half since her death, a new generation of scholars has focused its attention on her elegant dissection of the representation of women in the mass media during the Weimar era. Here, in the first comprehensive survey
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Genre/Form: Exhibition catalogs
History
Exhibitions
Expositions
Additional Physical Format: Online version:
Höch, Hannah, 1889-1978.
Photomontages of Hannah Höch.
Minneapolis : Walker Art Center, 1996
(OCoLC)605663688
Named Person: Hannah Höch; Hannah Höch; Hannah Höch; Hannah Höch
Document Type: Book
All Authors / Contributors: Hannah Höch; Peter W Boswell; Maria Martha Makela; Carolyn Lanchner; Kristin Makholm; Walker Art Center.; Museum of Modern Art (New York, N.Y.); Los Angeles County Museum of Art.
ISBN: 0935640525 9780935640526 0935640533 9780935640533
OCLC Number: 35008297
Notes: Exhibition organized by the Walker Art Center, Minneapolis, and held Oct. 20, 1996-Feb. 2, 1997 at the Center, Feb. 26-May, 20, 1997 at the Museum of Modern Art, New York, and June 26-Sept. 14, 1997 at the Los Angeles County Museum of Art.
Description: 224 p. : ill. ; 30 cm.
Contents: Director's Foreword / Kathy Halbreich --
Hannah Hoch: Through the Looking Glass / Peter Boswell --
Exibition Plates 1-25: The Dada Years --
By Design: The Early Work of Hannah Hoch in Context / Maria Makela --
Exibition Plate 26-74: The Interwar Period --
The Later Adventures of Dada's "Good Girl": The Photomontages of Hannah Hoch after 1933 / Carolyn Lanchner --
Exibition Plates 75-109: World War II and Beyond --
Chronology / Kristin Makholm.
Responsibility: essays by Peter Boswell, Maria Makela, Carolyn Lanchner ; chronology by Kristin Makholm.

Abstract:

A pioneer in the medium of photomontage, Hannah Hoch (1889-1978) was the sole female member of the Berlin Dada movement and continued to produce innovative works well into the 1970s. In the decade and a half since her death, a new generation of scholars has focused its attention on her elegant dissection of the representation of women in the mass media during the Weimar era. Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell,

Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction. This beautifully designed catalogue presents more than l00 color plates and offers new insights into the life and career of this extraordinary artist.

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