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Piazza tales,

Autore: Herman Melville; Egbert S Oliver
Editore: New York, Hendricks House, 1948.
Edizione/Formato:   book_printbook : Fiction : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Included are two sea tales that encompass the essence of Melville's art: "Benito Cereno", an exhilarating account of mutiny and rescue aboard a disabled slave ship, which is a parable of man's struggle against the forces of evil, and "The Encantadas", ten allegorical sketches of the Galapagos Islands, which reveal nature to be both enchanting and horrifying. Two pieces explore themes of isolation and defeat found in  Per saperne di più…
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Informazioni aggiuntive sul formato: Online version:
Melville, Herman, 1819-1891.
Piazza tales.
New York, Hendricks House, 1948
(OCoLC)568762175
Tipo materiale: Fiction
Tipo documento: Book
Tutti gli autori / Collaboratori: Herman Melville; Egbert S Oliver
Numero OCLC: 276056
Descrizione: xii, 256 pages 22 cm.
Contenuti: The piazza.--Bartleby.--Benito Cereno.--The lightning-rod man.--The Encantadas, or Enchanted Isles.--The bell-tower.
Responsabilità: ed. by Egbert S. Oliver.

Abstract:

Included are two sea tales that encompass the essence of Melville's art: "Benito Cereno", an exhilarating account of mutiny and rescue aboard a disabled slave ship, which is a parable of man's struggle against the forces of evil, and "The Encantadas", ten allegorical sketches of the Galapagos Islands, which reveal nature to be both enchanting and horrifying. Two pieces explore themes of isolation and defeat found in Melville's great novels: "Bartelby, the Scrivener", a prophetically modern story of alienation and loss on nineteenth-century Wall Street, and "The Bell Tower", a Faustian tale about a Renaissance architect who brings about his own violent destruction. The other two works reveal Melville's mastery of very different writing styles: "The Lightning-Rod Man", a satire showcasing his talent for Dickensian comedy, and "The Piazza", the title story of the collection, which anticipates the author's later absorption with poetry.

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