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Picasso, 1905-1906 : from the rose period to the ochres of Gósol

Verfasser/in: Pablo Picasso; Núria Rivero; Museo Picasso.; Kunstmuseum Bern.
Herausgeber: Barcelona : Electa, ©1992.
Ausgabe/Format   Gedrucktes Buch : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
The exhibition "Picasso, 1905-1906" has allowed an extension,albeit only a temporary one, ofthe permanent collections of the PicassoMuseum in Barcelona. It consisted infact of a compilation of the work whichcame immediately after Picasso's departurefrom Catalonia, in April 1904,at the end of his Blue Period. Throughthis exhibition, it has' been possible tosee the extent to which the artist's rootswere fixed in the  Weiterlesen…
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Gattung/Form: Exhibition catalogs
Exhibitions
Physisches Format Online version:
Picasso, Pablo, 1881-1973.
Picasso, 1905-1906.
Barcelona : Electa, ©1992
(OCoLC)649498502
Name: Pablo Picasso; Pablo Picasso; Pablo Picasso; Pablo Picasso
Dokumenttyp Buch
Alle Autoren: Pablo Picasso; Núria Rivero; Museo Picasso.; Kunstmuseum Bern.
ISBN: 8488045123 9788488045126
OCLC-Nummer: 26462545
Anmerkungen: Catalog of an exhibition held at the Museo Picasso, Barcelona, Feb. 5-Apr. 19, 1992 and at the Kunstmuseum Bern, May 8-July 26, 1992.
Beschreibung: 411 pages : illustrations (some color), portrait ; 28 cm
Verfasserangabe: [catalogue, Núria Rivero].
Weitere Informationen

Abstract:

The exhibition "Picasso, 1905-1906" has allowed an extension,albeit only a temporary one, ofthe permanent collections of the PicassoMuseum in Barcelona. It consisted infact of a compilation of the work whichcame immediately after Picasso's departurefrom Catalonia, in April 1904,at the end of his Blue Period. Throughthis exhibition, it has' been possible tosee the extent to which the artist's rootswere fixed in the Catalan art of the endof the century. At the same time, theartistic effervescence of Paris and hiscontacts with what was to become thevanguard of European culture stimulatedhim and encouraged his ceaseless,determined search for a new and originalform of painting which was to leadto a decisive change in his artistic language.

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