Picasso and portraiture.
New York : Museum of Modern Art : Distributed by Abrams, c1996
|提及的人：||Pablo Picasso; Pablo Picasso|
Pablo Picasso; William Rubin; Anne Baldassari; Museum of Modern Art (New York, N.Y.); Musée Picasso (Paris, France); et al
|注意：||"Published on the occasion of the exhibition ... the Museum of Modern Art, New York, in collaboration with the Musée Picasso, Paris"--T.p. verso.|
|描述：||495 p. : ill. (some col.) ; 31 cm.|
|内容：||Reflections on Picasso and portraiture / William Rubin --
Picasso's self-portraits / Kirk Varnedoe --
Three portrait-manifestoes of poets : André Salmon, Guillaume Apollinaire, and Max Jacob / Hélène Seckel --
"Heads faces and bodies: : Picasso's uses of portrait photographs / Anne Baldassari --
To fall "like a fly into the trap of Picasso's stare" : portraiture in the early work / Marilyn McCully --
Portraiture in Picasso's primitivism and cubism / Pierre Daix --
The modernists' dilemma : neoclassicism and the portrayal of Olga Khokhlova / Michael C. FitzGerald --
Picasso's blond muse : the reign of Marie-Thérèse Walter / Robert Rosenblum --
"For charming Dora" : portraits of Dora Maar / Brigitte Léal --
A triangle of ambitions : art, politics, and family during the postwar years with Françoise Gilot / Michael C. FitzGerald --
The Jacqueline portraits in the pattern of Picasso's art / William Rubin.
|責任：||edited by William Rubin ; with essays by Anne Baldassari ... [et al.].|
"Portraiture has managed to flourish in modern painting in spite of the popularization of photography, the decline of traditional patronage, and modernism's increasing emphasis on abstraction. However problematic modern styles have been for representational art, painters have continued to discover new possibilities in the imaging of the human face. This book explores the challenge of the modernist portrait through the multiple solutions proposed by its foremost protagonist and, in so doing, becomes the first volume ever published on the subject of Picasso and portraiture. The hundreds of works reproduced here - most of them unfamiliar, some virtually unknown - demonstrate the remarkable range of Picasso's experimentation in all its stylistic and psychological diversity." "The book opens with an authoritative, broad-ranging essay by William Rubin; the nine essays that follow - all by major contemporary scholars and critics - examine different periods and aspects of Picasso's career and clarify personal relationships between the artist and his subjects. It closes with an essay by Mr. Rubin on the late portraits. Numerous photographs, some never before published and many by outstanding photographers, present the portrait subjects as seen through the eye of the camera." "This book, published to accompany a major exhibition at The Museum of Modern Art, New York, opening in April 1996, no doubt will long remain the definitive work on its subject."--Jacket.