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Picasso and the invention of Cubism

作者: Pepe Karmel; Pablo Picasso
出版商: New Haven, [Conn.] : Yale University Press, ©2003.
版本/格式:   Print book : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"This book transforms our understanding of Cubism, showing in unprecedented detail how it emerged in Picasso's work of the year 1906-13, and tracing its roots in nineteenth-century philosophy and linguistics." "Linking well-known paintings and sculptures to the hitherto-ignored drawings that accompanied them, Pepe Karmel demonstrates how Picasso's quest to depict the human body with greater solidity led,  再讀一些...
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詳細書目

類型/形式: Sources
提及的人: Pablo Picasso; Picasso, Pablo <1881-1973> - Sources.; Pablo Picasso; Pablo Picasso; Pablo Picasso; Pablo Picasso
文件類型: 圖書
所有的作者/貢獻者: Pepe Karmel; Pablo Picasso
ISBN: 0300094361 9780300094367
OCLC系統控制編碼: 50478434
描述: xiii, 233 p. : ill. (some col.) ; 28 cm.
内容: Ideas --
Spaces --
Bodies --
Signs.
責任: Pepe Karmel.

摘要:

"This book transforms our understanding of Cubism, showing in unprecedented detail how it emerged in Picasso's work of the year 1906-13, and tracing its roots in nineteenth-century philosophy and linguistics." "Linking well-known paintings and sculptures to the hitherto-ignored drawings that accompanied them, Pepe Karmel demonstrates how Picasso's quest to depict the human body with greater solidity led, paradoxically, to its fragmentation; and how Picasso used the archaic model of stage space to free himself from conventional perspective, replacing the open window of Renaissance painting with a new projective space. Rejecting the usual distinction between "analytic" and "synthetic" Cubism, Karmel shows how Picasso's changing artistic goals were realized in the crystalline Cubism of 1907-09, the gridded Cubism of 1910-11, and the planar Cubism of 1912-13." "In other chapters, Karmel discusses the empiricist philosophy championed by Hippolyte Taine, which encouraged the breakdown of painting into its abstract elements, and laid the groundwork for an art of mental association rather than naturalistic figuration. Similarly, contemporary philology provided the model for a visual language employing both metaphoric and metonymic (but not arbitrary) signs." "Combining intellectual history with close visual reading, Picasso and the Invention of Cubism opens new perspectives on the most influential movement in twentieth-century art."--Jacket.

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