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Picasso, Braque, Léger, and the Cubist spirit, 1919-1939

저자: Kenneth Wayne; Pablo Picasso; Georges Braque; Fernand Léger; Portland Museum of Art.
출판사: Portland, Me. : Portland Museum of Art ; Seattle : Distributed by the University of Washington Press, 1996.
판/형식:   Print book : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
This volume presents art and design in France during the years between the two World Wars, in an effort to dispel the perception that Cubism was only a pre-World War I phenomenon. After the war, Cubist painting became more varied, colorful, and accessible, and began to affect other media such as furniture, fashion, cinema and architecture. What had begun as a rarefied pictorial style became a popular language. The  더 읽기…
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장르/형태: Exhibition catalogs
Exhibitions
Exposiciones
추가적인 물리적 형식: Online version:
Wayne, Kenneth.
Picasso, Braque, Léger, and the Cubist spirit, 1919-1939.
Portland, Me. : Portland Museum of Art ; Seattle : Distributed by the University of Washington Press, 1996
(OCoLC)605294603
명시된 사람: Pablo Picasso; Georges Braque; Fernand Léger
문서 형식:
모든 저자 / 참여자: Kenneth Wayne; Pablo Picasso; Georges Braque; Fernand Léger; Portland Museum of Art.
ISBN: 0916857085 9780916857080
OCLC 번호: 35549188
메모: Catalog of an exhibition held at the Portland Museum of Art, Maine, June 29-October 20, 1996.
설명: 64 pages : illustrations (some color) ; 28 cm
내용: Picasso's guiding spirit --
Late cubism(s) --
Cubism and modern French design --
Exhibition checklist --
Chronology --
Lenders to the exhibition.
책임: Kenneth Wayne, with an essay by Christopher Green.

초록:

This volume presents art and design in France during the years between the two World Wars, in an effort to dispel the perception that Cubism was only a pre-World War I phenomenon. After the war, Cubist painting became more varied, colorful, and accessible, and began to affect other media such as furniture, fashion, cinema and architecture. What had begun as a rarefied pictorial style became a popular language. The first essay addresses Picasso's abundant and varied cubist painting. The second essay treats the art of three major Cubists -- Picasso, Braque, and Leger -- in the context of the various cubist idioms that developed. The third essay, also broad in scope, examines the significant relationship between Cubism and the decorative arts in France.

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