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Picasso, Braque, Léger, and the Cubist spirit, 1919-1939

Auteur: Kenneth Wayne; Pablo Picasso; Georges Braque; Fernand Léger; Portland Museum of Art.
Uitgever: Portland, Me. : Portland Museum of Art ; Seattle : Distributed by the University of Washington Press, 1996.
Editie/Formaat:   Gedrukt boek : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
This volume presents art and design in France during the years between the two World Wars, in an effort to dispel the perception that Cubism was only a pre-World War I phenomenon. After the war, Cubist painting became more varied, colorful, and accessible, and began to affect other media such as furniture, fashion, cinema and architecture. What had begun as a rarefied pictorial style became a popular language. The  Meer lezen...
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Genre/Vorm: Exhibition catalogs
Exhibitions
Exposiciones
Aanvullende fysieke materiaalsoort: Online version:
Wayne, Kenneth.
Picasso, Braque, Léger, and the Cubist spirit, 1919-1939.
Portland, Me. : Portland Museum of Art ; Seattle : Distributed by the University of Washington Press, 1996
(OCoLC)605294603
Genoemd persoon: Pablo Picasso; Georges Braque; Fernand Léger
Soort document Boek
Alle auteurs / medewerkers: Kenneth Wayne; Pablo Picasso; Georges Braque; Fernand Léger; Portland Museum of Art.
ISBN: 0916857085 9780916857080
OCLC-nummer: 35549188
Opmerkingen: Catalog of an exhibition held at the Portland Museum of Art, Maine, June 29-October 20, 1996.
Beschrijving: 64 pages : illustrations (some color) ; 28 cm
Inhoud: Picasso's guiding spirit --
Late cubism(s) --
Cubism and modern French design --
Exhibition checklist --
Chronology --
Lenders to the exhibition.
Verantwoordelijkheid: Kenneth Wayne, with an essay by Christopher Green.

Fragment:

This volume presents art and design in France during the years between the two World Wars, in an effort to dispel the perception that Cubism was only a pre-World War I phenomenon. After the war, Cubist painting became more varied, colorful, and accessible, and began to affect other media such as furniture, fashion, cinema and architecture. What had begun as a rarefied pictorial style became a popular language. The first essay addresses Picasso's abundant and varied cubist painting. The second essay treats the art of three major Cubists -- Picasso, Braque, and Leger -- in the context of the various cubist idioms that developed. The third essay, also broad in scope, examines the significant relationship between Cubism and the decorative arts in France.

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Gekoppelde data


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