doorgaan naar inhoud
Picasso, Braque, Léger, and the Cubist spirit, 1919-1939 Voorbeeldweergave van dit item
SluitenVoorbeeldweergave van dit item
Bezig met controle...

Picasso, Braque, Léger, and the Cubist spirit, 1919-1939

Auteur: Kenneth Wayne; Pablo Picasso; Georges Braque; Fernand Léger; Portland Museum of Art.
Uitgever: Portland, Me. : Portland Museum of Art ; Seattle : Distributed by the University of Washington Press, 1996.
Editie/Formaat:   Boek : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
This volume presents art and design in France during the years between the two World Wars, in an effort to dispel the perception that Cubism was only a pre-World War I phenomenon. After the war, Cubist painting became more varied, colorful, and accessible, and began to affect other media such as furniture, fashion, cinema and architecture. What had begun as a rarefied pictorial style became a popular language. The  Meer lezen...
Beoordeling:

(nog niet beoordeeld) 0 met beoordelingen - U bent de eerste

Onderwerpen
Meer in deze trant

 

Zoeken naar een in de bibliotheek beschikbaar exemplaar

&AllPage.SpinnerRetrieving; Bibliotheken met dit item worden gezocht…

Details

Genre/Vorm: Exhibition catalogs
Exhibitions
Exposiciones
Aanvullende fysieke materiaalsoort: Online version:
Wayne, Kenneth.
Picasso, Braque, Léger, and the Cubist spirit, 1919-1939.
Portland, Me. : Portland Museum of Art ; Seattle : Distributed by the University of Washington Press, 1996
(OCoLC)605294603
Genoemd persoon: Pablo Picasso; Georges Braque; Fernand Léger
Soort document: Boek
Alle auteurs / medewerkers: Kenneth Wayne; Pablo Picasso; Georges Braque; Fernand Léger; Portland Museum of Art.
ISBN: 0916857085 9780916857080
OCLC-nummer: 35549188
Opmerkingen: Catalog of an exhibition held at the Portland Museum of Art, Maine, June 29-October 20, 1996.
Beschrijving: 64 p. : ill. (some col.) ; 28 cm.
Inhoud: Picasso's guiding spirit --
Late cubism(s) --
Cubism and modern French design --
Exhibition checklist --
Chronology --
Lenders to the exhibition.
Verantwoordelijkheid: Kenneth Wayne, with an essay by Christopher Green.

Fragment:

This volume presents art and design in France during the years between the two World Wars, in an effort to dispel the perception that Cubism was only a pre-World War I phenomenon. After the war, Cubist painting became more varied, colorful, and accessible, and began to affect other media such as furniture, fashion, cinema and architecture. What had begun as a rarefied pictorial style became a popular language. The first essay addresses Picasso's abundant and varied cubist painting. The second essay treats the art of three major Cubists -- Picasso, Braque, and Leger -- in the context of the various cubist idioms that developed. The third essay, also broad in scope, examines the significant relationship between Cubism and the decorative arts in France.

Beoordelingen

Beoordelingen door gebruikers
Beoordelingen van GoodReads worden opgehaald...
Bezig met opvragen DOGObooks-reviews...

Tags

U bent de eerste.
Bevestig deze aanvraag

Misschien heeft u dit item reeds aangevraagd. Selecteer a.u.b. Ok als u toch wilt doorgaan met deze aanvraag.

Gekoppelde data


<http://www.worldcat.org/oclc/35549188>
library:oclcnum"35549188"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/35549188>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:contributor
schema:contributor
schema:contributor
schema:creator
schema:datePublished"1996"
schema:description"This volume presents art and design in France during the years between the two World Wars, in an effort to dispel the perception that Cubism was only a pre-World War I phenomenon. After the war, Cubist painting became more varied, colorful, and accessible, and began to affect other media such as furniture, fashion, cinema and architecture. What had begun as a rarefied pictorial style became a popular language. The first essay addresses Picasso's abundant and varied cubist painting. The second essay treats the art of three major Cubists -- Picasso, Braque, and Leger -- in the context of the various cubist idioms that developed. The third essay, also broad in scope, examines the significant relationship between Cubism and the decorative arts in France."@en
schema:description"Picasso's guiding spirit -- Late cubism(s) -- Cubism and modern French design -- Exhibition checklist -- Chronology -- Lenders to the exhibition."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1183146804>
schema:genre"Exhibition catalogs"@en
schema:genre"Exhibition catalogs."@en
schema:inLanguage"en"
schema:name"Picasso, Braque, Léger, and the Cubist spirit, 1919-1939"@en
schema:numberOfPages"64"
schema:publisher
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Venster sluiten

Meld u aan bij WorldCat 

Heeft u geen account? U kunt eenvoudig een nieuwe gratis account aanmaken.