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| Additional Physical Format: | Online version: Pictorial composition from medieval to modern art. London : Warburg Institute, 2000 (OCoLC)606598152 |
|---|---|
| Material Type: | Conference publication |
| Document Type: | Book |
| All Authors / Contributors: |
François Quiviger; Paul Taylor; Warburg Institute. |
| ISBN: | 0854811257 9780854811250 |
| OCLC Number: | 46513757 |
| Language Note: | Includes one chapter in French and notes in Italian. |
| Notes: | Colloquium papers. |
| Description: | viii, 239 p. : ill., ports. ; 25 cm. |
| Contents: | Pictorial composition in medieval art / Athene Reiss -- Composition in Italian art literature / Charles Hope -- Imagining and composing stories in the Renaissance / François Quiviger -- Baroque piles and other decompositions / Philip Sohm -- Andrea Pozzo on the ceiling paintings in S. Ignazio / Thomas Frangenberg -- La théorie de la composition dans le De pictura veterum de Franciscus Junius: une transition entre Alberti e l'Académie / Colette Nativel -- Composition, disposition and ordonnance in French seventeenth-century writings on art / Thomas Puttfarken -- Composition in seventeenth-century Dutch art theory / Paul Taylor -- Reynolds, chiaroscuro and composition / Harry Mount -- The politics of composition: reflections on Jacques Louis David's Serment de Jeu de paume / Richard Wrigley -- Towards a science of art: the concept of 'pure composition' in nineteenth- and twentieth-century art theory / Hubert Locher. |
| Series Title: | Warburg Institute colloquia, 6 |
| Responsibility: | edited by Paul Taylor and François Quiviger. |
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