aller au contenu
Picturing a nation : art and social change in nineteenth-century America Aperçu de cet ouvrage
FermerAperçu de cet ouvrage
Vérifiant…

Picturing a nation : art and social change in nineteenth-century America

Auteur : David M Lubin
Éditeur : New Haven : Yale University Press, ©1994.
Collection : Yale publications in the history of art.
Édition/format :   Livre : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
Art historian David Lubin examines the work of six nineteenth-century American artists to show how their paintings both embraced and resisted dominant social values. Lubin argues that artists such as George Bingham and Lily Martin Spencer were aware of the underlying social conflicts of their time and that their work reflected the nation's ambivalence toward domesticity, its conflicting ideas about child rearing,  Lire la suite...
Évaluation :

(pas encore évalué) 0 avec des critiques - Soyez le premier.

Sujets
Plus comme ceci

 

Trouver un exemplaire dans la bibliothèque

&AllPage.SpinnerRetrieving; Recherche de bibliothèques qui possèdent cet ouvrage...

Détails

Genre/forme : Pictorial works
Ouvrages illustrés
Format : Livre
Tous les auteurs / collaborateurs : David M Lubin
ISBN : 0300057326 9780300057324 9780300066371 0300066376
Numéro OCLC : 27974828
Description : xvii, 364 p. : ill. (some col.) ; 26 cm.
Contenu : The politics of method --
Labyrinths of meaning in Vanderlyn's Ariadne --
Bingham's Boone --
Reconstructing Duncanson --
Lilly Martin Spencer's domestic genre painting in antebellum America --
Guys and dolls : framing femininity in post-Civil War America --
Masculinity, nostalgia, and the trompe l'oeil still-life paintings of William Harnett.
Titre de collection : Yale publications in the history of art.
Responsabilité : David M. Lubin.
Plus d’informations :

Résumé :

Art historian David Lubin examines the work of six nineteenth-century American artists to show how their paintings both embraced and resisted dominant social values. Lubin argues that artists such as George Bingham and Lily Martin Spencer were aware of the underlying social conflicts of their time and that their work reflected the nation's ambivalence toward domesticity, its conflicting ideas about child rearing, its racial disharmony, and many other issues central to the formation of modern America.--From publisher description.

Critiques

Critiques d’utilisateurs
Récupération des critiques de GoodReads...
Récuperation des critiques DOGObooks…

Tags

Soyez le premier.
Confirmez cette demande

Vous avez peut-être déjà demandé cet ouvrage. Veuillez sélectionner OK si vous voulez poursuivre avec cette demande quand même.

Données liées


<http://www.worldcat.org/oclc/27974828>
library:oclcnum"27974828"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/27974828>
rdf:typeschema:Book
rdfs:seeAlso
schema:about
schema:about
rdf:typeschema:Intangible
schema:name"Peinture américaine--19e siècle."
schema:about
rdf:typeschema:Intangible
schema:name"Art et société--États-Unis--Histoire--19e siècle."
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
rdf:typeschema:Intangible
schema:name"Américains dans l'art."
schema:about
schema:author
schema:copyrightYear"1994"
schema:datePublished"1994"
schema:description"The politics of method -- Labyrinths of meaning in Vanderlyn's Ariadne -- Bingham's Boone -- Reconstructing Duncanson -- Lilly Martin Spencer's domestic genre painting in antebellum America -- Guys and dolls : framing femininity in post-Civil War America -- Masculinity, nostalgia, and the trompe l'oeil still-life paintings of William Harnett."
schema:description"Art historian David Lubin examines the work of six nineteenth-century American artists to show how their paintings both embraced and resisted dominant social values. Lubin argues that artists such as George Bingham and Lily Martin Spencer were aware of the underlying social conflicts of their time and that their work reflected the nation's ambivalence toward domesticity, its conflicting ideas about child rearing, its racial disharmony, and many other issues central to the formation of modern America.--From publisher description."
schema:exampleOfWork<http://worldcat.org/entity/work/id/836739511>
schema:genre"Pictorial works."
schema:genre"Pictorial works"
schema:inLanguage"en"
schema:name"Picturing a nation : art and social change in nineteenth-century America"
schema:numberOfPages"364"
schema:publisher
schema:workExample
schema:workExample
schema:workExample
schema:workExample

Content-negotiable representations

Fermer la fenêtre

Veuillez vous identifier dans WorldCat 

Vous n’avez pas de compte? Vous pouvez facilement créer un compte gratuit.