• 引证/输出
  引证/输出

  复制引证文献

  APA（第6版）

  

  芝加哥（著者-日期，第15版）

  

  Harvard（第18版）

  

  MLA（第7版）

  

  Turabian（第6版）

  

  输出引证文献

  输出到RefWorks   输出到EndNote / 参考管理（Reference Manager）   输出到EasyBib   删除

  请注意： 这些引证文献都以参考咨询的标準為基础。但是，处理格式的规则，在应用程序、感兴趣或研究的领域之间会大相径庭。应当考虑到负责復审的出版商、上课的教师、机构或者组织的具体要求或者优先选择。
• 打印
• 电子邮件
  电子邮件

  所有的字段都要。

  电邮地址字段是一定要有的。请输入收件人的电子邮件地址。

  输入的电邮地址格式不对。请重新输入收件人的电邮地址。

  最多可将资料送给五个收件人。

  输入收件人的电子邮件地址： 最多能用逗号（,）将五个地址分开

  名字的字段是一定要有的。请输入您的名字。

  输入你的名字： 主题的字段是一定要有的。请输入主题。 主题:

  电子邮件讯息的字段是一定要有的。请输入讯息。

  电子邮件： 我想你可能会对这资料感兴趣，资料位于 http://www.worldcat.org/oclc/36225291 题名： Picturing ourselves : photography & autobiography 著者： Linda Haverty Rugg 出版商： Chicago, Ill. : University of Chicago Press, ©1997. ISBN/ISSN: 0226731464 9780226731469 0226731472 9780226731476 OCLC:36225291

  
  

  输入的ReCaptcha词条不对。要设法和显示在窗口中的那两个字一样，也可试用音频版。

  删除
• 共享
• 永久链接
  永久链接

  复制URL以便和网页链接：

• 撰写评论
• 评估这资料：
• • 1
  • 2
  • 3
  • 4
  • 5

更多类似这样的

主题

• Photography -- Philosophy.
• Autobiography.
• Twain, Mark, -- 1835-1910.
• 查看所有主题

相似资料

Picturing ourselves : photography & autobiography

著者：	Linda Haverty Rugg
出版商：	Chicago, Ill. : University of Chicago Press, ©1997.
版本/格式：	图书 : 英语查看所有的版本和格式
提要：	As Linda Haverty Rugg persuasively shows, photography's double take on self-image mirrors the concerns of autobiographers, who see the self as simultaneously divided (in observing/being) and unified by the autobiographical act. Rugg track's photography's impact on the formation of self-image through the study of four literary autobiographers. Obsessed with self-image, Mark Twain and August Strindberg attempted (unsuccessfully) to integrate photographs into their autobiographies. While Twain encouraged photographers, he was wary of potential fakery. Strindberg, believing that photographs had occult power, preferred to photograph himself. Because of their experiences under National Socialism, Walter Benjamin and Christa Wolf feared the dangerously objectifying power of photographs and omitted them from their autobiographical writings. Yet Benjamin used them in his photographic conception of history, and Wolf's narrator in Patterns of Childhood tries to reclaim her childhood from the Nazis by reconstructing mental images of lost family photographs. Confronted with multiple and conflicting images of themselves, all four of these writers are torn between the knowledge that texts, photographs, and indeed selves are haunted by undecidability and the desire for the returned glance of a single self.  再读一些...
评估：	(尚未评估) 0 附有评论 - 争取成为第一个。