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Pierre-Auguste Renoir : La promenade

Author: John House; Auguste Renoir
Publisher: Los Angeles, Calif. : J. Paul Getty Museum, ©1997.
Series: Getty Museum studies on art.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
John House examines the many facets of the work and what it reveals about Renoir as a man and artist. He asks, "What did it mean to paint a picture like La Promenade in France in 1870, in the final months of Napoleon III's Second Empire?" The reader is invited to look at the canvas - and Impressionism - as a rejection of the idealist world of academic art and as a challenge to contemporary social norms.
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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
House, John, 1945-
Pierre-Auguste Renoir.
Los Angeles, Calif. : J. Paul Getty Museum, c1997
(OCoLC)606985054
Named Person: Auguste Renoir; Auguste Renoir; Auguste Renoir; Auguste Renoir; Auguste Renoir; Auguste Renoir
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: John House; Auguste Renoir
ISBN: 0892363657 9780892363650
OCLC Number: 37109128
Description: 88 p. : ill. (some col.) ; 24 cm.
Contents: Introduction --
The salon and the art trade : genre painting and the value of art --
Reading genre paintings --
The setting of "La Promenade" --
The figure subject in "La Promenade" --
The technique of "La Promenade" --
Renoir's position in 1870 --
The place of "La Promenade" in Renoir's career.
Series Title: Getty Museum studies on art.
Other Titles: Promenade
Responsibility: John House.
More information:

Abstract:

John House examines the many facets of the work and what it reveals about Renoir as a man and artist. He asks, "What did it mean to paint a picture like La Promenade in France in 1870, in the final months of Napoleon III's Second Empire?" The reader is invited to look at the canvas - and Impressionism - as a rejection of the idealist world of academic art and as a challenge to contemporary social norms.

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