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Playwright versus director : authorial intentions and performance interpretations
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Playwright versus director : authorial intentions and performance interpretations

Author: Jeane Luere; Sidney L Berger
Publisher: Westport, Conn. : Greenwood Press, 1994.
Series: Contributions in drama and theatre studies, no. 54.
Edition/Format:   Book : EnglishView all editions and formats
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Additional Physical Format: Online version:
Playwright versus director.
Westport, Conn. : Greenwood Press, 1994
(OCoLC)621294414
Document Type: Book
All Authors / Contributors: Jeane Luere; Sidney L Berger
ISBN: 0313286795 9780313286797
OCLC Number: 29517914
Description: xiii, 179 p. : ill. ; 25 cm.
Contents: Pt. 1. Theories of Authorship and Interpretation. 1. Literary Assumptions about Text. 2. Literature's New Criticism Applied to Theatre --
Pt. 2. Remarks of Playwrights and Directors. 3. Alley Forum: Playwrights, Directors, and the Postmodern Stage. 4. Robert Anderson, Playwright. 5. Sidney Berger, Director. 6. Danny Mann, Director, and Edward Albee, Playwright. 7. Lanford Wilson, Playwright. 8. Robert Wilson, Performer, Director, Writer. 9. Jose Quintero, Director --
Pt. 3. Tiers of Director/Playwright Interchange: Five Case Studies. 10. A "Director's Director": Tennessee Williams and A Streetcar Named Desire. 11. A Tyrant Director? William Inge and Joshua Logan. 12. A Director's Distortion of a Modern Classic: Arthur Miller's Shift in Stance. 13. A Playwright-Director Opens Up a Classic: Albee's Direction of Beckett. 14. Director, Playwright, and Cast: Caryl Churchill's Approach to Text --
Pt. 4. Theatre Aesthetics and the Law. 15. Contractual Provisions of the Dramatists' Guild, Inc. 16. Collaboration and American Law --
The Rights of Playwrights: Performance Theory and American Law / Robert Hapgood.
Series Title: Contributions in drama and theatre studies, no. 54.
Responsibility: edited by Jeane Luere ; Sidney Berger, advisory editor.

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schema:description"Pt. 1. Theories of Authorship and Interpretation. 1. Literary Assumptions about Text. 2. Literature's New Criticism Applied to Theatre -- Pt. 2. Remarks of Playwrights and Directors. 3. Alley Forum: Playwrights, Directors, and the Postmodern Stage. 4. Robert Anderson, Playwright. 5. Sidney Berger, Director. 6. Danny Mann, Director, and Edward Albee, Playwright. 7. Lanford Wilson, Playwright. 8. Robert Wilson, Performer, Director, Writer. 9. Jose Quintero, Director -- Pt. 3. Tiers of Director/Playwright Interchange: Five Case Studies. 10. A "Director's Director": Tennessee Williams and A Streetcar Named Desire. 11. A Tyrant Director? William Inge and Joshua Logan. 12. A Director's Distortion of a Modern Classic: Arthur Miller's Shift in Stance. 13. A Playwright-Director Opens Up a Classic: Albee's Direction of Beckett. 14. Director, Playwright, and Cast: Caryl Churchill's Approach to Text -- Pt. 4. Theatre Aesthetics and the Law. 15. Contractual Provisions of the Dramatists' Guild, Inc."
schema:description"16. Collaboration and American Law -- The Rights of Playwrights: Performance Theory and American Law / Robert Hapgood."
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