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The poetics of perspective

Author: James Elkins
Publisher: Ithaca : Cornell University Press, 1994.
Series: Cornell paperbacks
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"Perspective has been a divided subject, orphaned among various disciplines from philosophy to gardening. In the first book to bring together recent thinking on perspective from such fields as art history, literary theory, aesthetics, psychology, and the history of mathematics, James Elkins leads us to a new understanding of how we talk about pictures." "Elkins provides an abundantly illustrated history of the  Read more...
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Additional Physical Format: Online version:
Elkins, James, 1955-
Poetics of perspective.
Ithaca : Cornell University Press, 1994
(OCoLC)622161586
Document Type: Book
All Authors / Contributors: James Elkins
ISBN: 0801427967 9780801427961 0801483794 9780801483790
OCLC Number: 30360209
Description: xv, 324 pages : illustrations ; 25 cm.
Contents: 1. Into the Maelstrom of Metaphor --
2. Argus/Polyphemus --
3. The Harmonious, the Compatible, the Equivalent --
4. Demonstration, Play, Arcanum --
5. Curved Foundations --
6. The Fossilization of Perspective --
Appendix: Mathematics and Perspective.
Series Title: Cornell paperbacks
Responsibility: James Elkins.

Abstract:

"Perspective has been a divided subject, orphaned among various disciplines from philosophy to gardening. In the first book to bring together recent thinking on perspective from such fields as art history, literary theory, aesthetics, psychology, and the history of mathematics, James Elkins leads us to a new understanding of how we talk about pictures." "Elkins provides an abundantly illustrated history of the theory and practice of perspective. Looking at key texts from the Renaissance to the present, he traces a fundamental historical change that took place in the way in which perspective was conceptualized; first a technique for constructing pictures, it slowly became a metaphor for subjectivity. That gradual transformation, he observes, has led to the rifts that today separate those who understand perspective as a historical or formal property of pictures from those who see it as a linguistic, cognitive, or epistemological metaphor." "Elkins considers how the principal concepts of perspective have been rewritten in work by Erwin Panofsky, Hubert Damisch, Martin Jay, Paul Ricoeur, Jacques Lacan, Maurice Merleau-Ponty, and E.H. Gombrich. The Poetics of Perspective illustrates that perspective is an unusual kind of subject: it exists as a coherent idea, but no one discipline offers an adequate exposition of it. Rather than presenting perspective as a resonant metaphor for subjectivity, a painter's tool without meaning, a disused historical practice, or a model for vision and representation, Elkins proposes a comprehensive revaluation. The perspective he describes is at once a series of specific pictorial decisions and a powerful figure for our knowledge of the world."--Jacket.

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"I have rarely read a book as illuminating as this. . . . With great tact and inventiveness, Elkins offers two basic correctives to what has been taken as the foundational procedure underlying Read more...

 
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