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The poetics of portraiture in the Italian Renaissance

Author: Jodi Cranston
Publisher: Cambridge ; New York : Cambridge University Press, 2000.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Focusing on paintings by Giorgione, Titian, Parmigianino, and Raphael, this text explores the significance of formal inventions that address the presence of the beholder, including a range of poses and self-reflexive gestures.
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Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Jodi Cranston
ISBN: 052165324X 9780521653244
OCLC Number: 42968076
Description: xiii, 258 pages : illustrations ; 26 cm
Contents: 1. Dialogue with the Beholder --
2. "Familiare Colloquium": The Recollection and Presence of Portraits --
3. Designing the Self: Titian's "Nonautographic" Self-Portraits --
4. "L'effetto che fa lo specchio" --
5. The Speaking Tomb.
Responsibility: Jodi Cranston,
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Abstract:

Demonstrates how sixteenth-century portraits extend contemporary efforts to perceive painting as a kind of poetry.  Read more...

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"Cranston's book is beautifully illustrated, provocative, and courageous in its methodology, and illuminating in its analysis." Sixteenth Century Journal "An ambitious book...It constitutes a novel Read more...

 
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