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Poetry after Auschwitz : remembering what one never knew

著者: Susan Gubar
出版: Bloomington : Indiana University Press, ©2003.
シリーズ: Jewish literature and culture.
エディション/フォーマット:   書籍 : State or province government publication : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"In this study Susan Gubar demonstrates that Theodor Adorno's famous injunction against writing poetry after Auschwitz paradoxically inspired an ongoing literary tradition. From the 1960s to the present, as the Shoah receded into a more remote European past, North American and British writers struggled to keep memory of it alive.".
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ジャンル/形式: Criticism, interpretation, etc
資料の種類: Government publication, State or province government publication, インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Susan Gubar
ISBN: 0253341760 9780253341761
OCLC No.: 49415855
物理形態: xxi, 313 p. : ill. ; 24 cm.
コンテンツ: The Holocaust is dying --
Masters of disaster --
Suckled by panic --
About pictures out of focus --
Documentary verse bears witness --
The dead speak --
"Could you have made an elegy for every one?" --
Poetry and survival.
シリーズタイトル: Jewish literature and culture.
責任者: Susan Gubar.
その他の情報:

概要:

Eloquent exploration of Holocaust verse in English by one of America's leading feminist critics.  続きを読む

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"It is hard to imagine [Susan Gubar] bettering her previous work, but this is a culmination... It will become a classic for the way it is written, for its sense of what poetry in general can do, and 続きを読む

 
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schema:description""Many contemporary writers - among them Anthony Hecht, Gerald Stern, Sylvia Plath, William Heyen, Michael Hamburger, Irena Klepfisz, Adrienne Rich, Jorie Graham, Jacqueline Osherow, and Anne Michaels - have grappled with personal and political, ethical and aesthetic consequences of the disaster. Through confessional verse and reinventions of the elegy, as well as documentary poems about photographs and trials, poets serve as proxy-witnesses of events that they did not experience firsthand. By speaking about or even as the dead, these men and women of letters elucidate what it means to cite, reconfigure, consume, or envy the traumatic memories of an earlier generation."--BOOK JACKET."@en
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