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| 类型/形式： | Music Video |
|---|---|
| 提及的人： | Dana Gioia; Dana Gioia |
| 材料类型： | 录像 |
| 文件类型： | 视觉资料 |
| 所有的著者/提供者： |
Dana Gioia; Sarah Rothenberg; Kirsten Childs; David Felder; Stephen Flaherty; John Harbison; Jimmy Roberts; Judith Bettina; Daniel Druckman; Ethan Herschenfeld; Gregory Hesselink; Alan R Kay; Jacqueline Leclair; Lucy Shelton; Alysha Umphress; Leon Williams; Mary Sharp Cronson; Solomon R. Guggenheim Museum. |
| OCLC号码： | 231759117 |
| 制作人员： | All poetry by Dana Gioia. |
| 演员： | Moderator: Sarah Rothenberg. Panelists: Dana Gioa, Kirsten Childs, David Felder, Stephen Flaherty, John Harbison, Jimmy Roberts. Performed by Leon Williams (baritone), Gregory Hesselink (cello), Ethan Herschenfeld (bass-baritone), Daniel Druckman (percussion), Lucy Shelton (soprano), Sarah Rothenberg (piano), Alysha Umphress (mezzo), Jacqueline Leclair (oboe), Judith Bettina (soprano), Alan R. Kay (clarinet). |
| 制作说明： | Recorded as part of the Works & process performance series at the Solomon R. Guggenheim Museum, New York, on Apr. 27, 2008. |
| 描述： | 1 videodisc (NTSC) (84 min.) : sd., col. ; 4 3/4 in. |
| 内容： | Veteran's cemetery / setting by Stephen Flaherty; performed by Leon Williams (baritone), Gregory Hesselink (cello) -- Insomnia / setting by David Felder; performed by Ethan Herschenfeld (bass-baritone), Daniel Druckman (percussion) -- God only knows / setting by John Harbison; performed by Lucy Shelton (soprano), Sarah Rothenberg (piano) -- Nosferatu's serenade (aria from Act II of Nosferatu) / setting by Kirsten Childs; performed by Alysha Umphress (mezzo), Jacqueline Leclair (oboe) -- Reading by Dana Gioia -- The heart of the matter: a blues for soprano and clarinet / setting by Jimmy Roberts; performed by Judith Bettina (soprano), Alan R. Kay (clarinet). |
| 丛书名： | Works and process at the Guggenheim. |
| 责任： | [performance series producer, Mary Sharp Cronson]. |
摘要：
This program in celebration of the 60th anniversary of the Hudson Review includes musical settings of poems by Dana Gioia, a reading of poems by Gioia, and a panel discussion with Gioia and Sarah Rothenberg. Gioia speaks about his dual careers in poetry and business; his use of everyday middle-class life as subject matter for poetry; whom he sees as his audience; his musical training and love of music; his attitude towards rhyme, meter and form in poetry; the audience's role in completing a poem; textual and emotional difficulties in interpreting poetry; and his libretto for the opera Nosferatu, based on the film by F.W. Murnau. The composers of the settings speak about why and how they chose to set particular poems.
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