| 内容： |
PART 1: 1933 - NAZI POWER, PURGES, AND REVOLUTIONARY PROMISE --
Gleichschaltung of the Press: An Area that Counted --
Instrumental Music Journalism --
Gleichschaltung of the Academy --
Gleichschaltung of Church Music --
Centralized Control and Manipulated Ideals --
A Singing Ideological Posture --
Segregated Jewish Music --
PART 2: MUSIC ORGANIZATION 1933-1945 --
Propaganda (RMVP) and Culture (RKK) --
Reich Music Chamber (RMK) --
Composers: Supreme Expectations --
The Corporate Body of Musicians --
Concert Management and Promotion --
Romanticism of Steel in Choral and Folk Music --
Music Publishers and Dealers --
RMK Reality and Achievements --
Totalitarian Controls: Other Power Centers --
Music Foreign Policy --
Music in Occupied Countries --
Means and Ends: The Goebbels-Rosenberg Rivalry --
Some Individual Portraits --
Organizational Success --
PART 3: RACE, FOLK HERO AND THE NEW GERMAN MUSICIAN --
The Musicologist as Myth Maker: Jews and Germans as Ideal Types --
The Myth of the Folk-Musical Community --
Search for the New Music --
The National Socialist Masterwork of the Future --
The New Peoples Opera --
Anti-Fascist Music: Karl Amadeus Hartmann --
The Fraud of a Music Theory --
PART 4: WILHELM FURTWANGLER: COLLABORATION AND A STRUGGLE OF AUTHORITY --
The Drama of Confrontation --
Transcendent Music in Totalitarian Society --
Rehabilitation --
An Apolitical Contrast: Strauss --
Hitlers Social Revolution |
引证/输出
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