doorgaan naar inhoud
The politics of music in the Third Reich
SluitenVoorbeeldweergave van dit item

The politics of music in the Third Reich

Auteur: Michael Meyer
Uitgever: New York : P. Lang, ©1991.
Serie: American university studies., Series IX,, History ;, v. 49.
Editie/Formaat:  Boek : EngelsAlle edities en materiaalsoorten bekijken.
Beoordeling:

(nog niet beoordeeld) 0 met beoordelingen - U bent de eerste

 

Zoeken naar een in de bibliotheek beschikbaar exemplaar

Resultaten worden opgehaald... Bibliotheken met dit item worden gezocht…

Details

Soort document: Boek
Alle auteurs / medewerkers: Michael Meyer
ISBN: 0820408050 9780820408057
OCLC-nummer: 19672799
Opmerkingen: Includes index.
Beschrijving: xiv, 416 p., [13] of plates : ill., pls., music ; 24 cm.
Inhoud: PART 1: 1933 --
NAZI POWER, PURGES, AND REVOLUTIONARY PROMISE --
Gleichschaltung of the Press: An Area that Counted --
Instrumental Music Journalism --
Gleichschaltung of the Academy --
Gleichschaltung of Church Music --
Centralized Control and Manipulated Ideals --
A Singing Ideological Posture --
Segregated Jewish Music --
PART 2: MUSIC ORGANIZATION 1933-1945 --
Propaganda (RMVP) and Culture (RKK) --
Reich Music Chamber (RMK) --
Composers: Supreme Expectations --
The Corporate Body of Musicians --
Concert Management and Promotion --
Romanticism of Steel in Choral and Folk Music --
Music Publishers and Dealers --
RMK Reality and Achievements --
Totalitarian Controls: Other Power Centers --
Music Foreign Policy --
Music in Occupied Countries --
Means and Ends: The Goebbels-Rosenberg Rivalry --
Some Individual Portraits --
Organizational Success --
PART 3: RACE, FOLK HERO AND THE NEW GERMAN MUSICIAN --
The Musicologist as Myth Maker: Jews and Germans as Ideal Types --
The Myth of the Folk-Musical Community --
Search for the New Music --
The National Socialist Masterwork of the Future --
The New Peoples Opera --
Anti-Fascist Music: Karl Amadeus Hartmann --
The Fraud of a Music Theory --
PART 4: WILHELM FURTWANGLER: COLLABORATION AND A STRUGGLE OF AUTHORITY --
The Drama of Confrontation --
Transcendent Music in Totalitarian Society --
Rehabilitation --
An Apolitical Contrast: Strauss --
Hitlers Social Revolution.
Serietitel: American university studies., Series IX,, History ;, v. 49.
Verantwoordelijkheid: Michael Meyer.

Beoordelingen

Beoordelingen door gebruikers

Tags

U bent de eerste.

Vergelijkbare items

Verwante onderwerpen:(5)

Gebruiker-lijsten met dit item (1)

Bevestig deze aanvraag

Misschien heeft u dit item reeds aangevraagd. Selecteer a.u.b. Ok als u toch wilt doorgaan met deze aanvraag.

Gekoppelde data


<http://www.worldcat.org/oclc/19672799>
library:oclcnum"19672799"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/19672799>
rdf:typeschema:Book
rdfs:seeAlso
rdfs:seeAlso
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:author
schema:copyrightYear"1991"
schema:datePublished"1991"
schema:description"PART 1: 1933 -- NAZI POWER, PURGES, AND REVOLUTIONARY PROMISE -- Gleichschaltung of the Press: An Area that Counted -- Instrumental Music Journalism -- Gleichschaltung of the Academy -- Gleichschaltung of Church Music -- Centralized Control and Manipulated Ideals -- A Singing Ideological Posture -- Segregated Jewish Music -- PART 2: MUSIC ORGANIZATION 1933-1945 -- Propaganda (RMVP) and Culture (RKK) -- Reich Music Chamber (RMK) -- Composers: Supreme Expectations -- The Corporate Body of Musicians -- Concert Management and Promotion -- Romanticism of Steel in Choral and Folk Music -- Music Publishers and Dealers -- RMK Reality and Achievements -- Totalitarian Controls: Other Power Centers -- Music Foreign Policy -- Music in Occupied Countries -- Means and Ends: The Goebbels-Rosenberg Rivalry -- Some Individual Portraits -- Organizational Success -- PART 3: RACE, FOLK HERO AND THE NEW GERMAN MUSICIAN -- The Musicologist as Myth Maker: Jews and Germans as Ideal Types -- The Myth of the Folk-Musical Community -- Search for the New Music -- The National Socialist Masterwork of the Future -- The New Peoples Opera -- Anti-Fascist Music: Karl Amadeus Hartmann -- The Fraud of a Music Theory -- PART 4: WILHELM FURTWANGLER: COLLABORATION AND A STRUGGLE OF AUTHORITY -- The Drama of Confrontation -- Transcendent Music in Totalitarian Society -- Rehabilitation -- An Apolitical Contrast: Strauss -- Hitlers Social Revolution."
schema:genre"Criticism, interpretation, etc."
schema:inLanguage"en"
schema:name"The politics of music in the Third Reich"
schema:numberOfPages"416"
schema:publisher
umbel:isLike<http://d-nb.info/911248846>
Venster sluiten

Meld u aan bij WorldCat 

Heeft u geen account? U kunt eenvoudig een nieuwe gratis account aanmaken.

Annuleren Wachtwoord vergeten?