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Pontormo : portrait of a halberdier

Author: Elizabeth Cropper
Publisher: Los Angeles : Getty Museum, ©1997.
Series: Getty Museum studies on art.
Edition/Format:   Print book   Computer File : EnglishView all editions and formats
Database:WorldCat
Summary:
Pontormo's Halberdier has long been controversial. How did scholars come to identify the sitter as Duke Cosimo de' Medici and why is this open to doubt? Who was Francesco Guardi? What was the siege of Florence, and could Pontormo have made this compelling portrait during that time of deprivation and political tumult? In a fascinating piece of historical detective work, Elizabeth Cropper investigates these questions  Read more...
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Genre/Form: Criticism, interpretation, etc
Portraits
Additional Physical Format: Online version:
Cropper, Elizabeth, 1944-
Pontormo.
Los Angeles : Getty Museum, ©1997
(OCoLC)605509037
Named Person: Jacopo da Pontormo; Jacopo da Pontormo; Jacopo da Pontormo; Francesco Guardi; Jacopo Carucci Pontormo; Jacopo Carucci Pontormo; Jacopo da Pontormo; Jacopo Pontormo; Il (1494-1556) Pontormo; Pontormo; Jacopo Pontormo
Material Type: Internet resource
Document Type: Book, Computer File, Internet Resource
All Authors / Contributors: Elizabeth Cropper
ISBN: 0892363665 9780892363667
OCLC Number: 36909698
Description: 132 pages : illustrations (some color) ; 24 cm.
Contents: A portrait of Duke Cosimo when we was young? --
A portrait of Francesco Guardi?
Series Title: Getty Museum studies on art.
Responsibility: Elizabeth Cropper.
More information:

Abstract:

Pontormo's Halberdier has long been controversial. How did scholars come to identify the sitter as Duke Cosimo de' Medici and why is this open to doubt? Who was Francesco Guardi? What was the siege of Florence, and could Pontormo have made this compelling portrait during that time of deprivation and political tumult? In a fascinating piece of historical detective work, Elizabeth Cropper investigates these questions and uncovers new evidence for interpretation. She also analyzes the portrait's relationship to other works by Pontormo, explores the importance for Pontormo of Donatello, Michelangelo, and Andrea del Sarto, and looks into Bronzino's connection with the portrait.

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