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Pop art and the origins of post-modernism 预览资料
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Pop art and the origins of post-modernism

著者: Sylvia Harrison
出版商: Cambridge ; New York : Cambridge University Press, 2001.
丛书: Contemporary artists and their critics.
版本/格式:   图书 : 英语查看所有的版本和格式
提要:
"Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broadly categorized as either sociological or philosophical - bear a striking similarity to the body of thought and opinion that  再读一些...
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详细书目

提及的人: Lawrence Alloway; Harold Rosenberg; Leo Steinberg; Barbara Rose; Max Kozloff; Susan Sontag
材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Sylvia Harrison
ISBN: 0521791154 9780521791151
OCLC号码: 45356863
描述: vii, 280 p. ; 24 cm.
内容: Pt. 1. Theoretical Framework. 1. Post-Modernist Assumptions --
Pt. 2. "Social" Critics. 2. Lawrence Alloway: Pop Art and the "Pop Art-Fine Art Continuum" 3. Harold Rosenberg: Pop Art and the "De-definition" of Both Art and "Self" 4. Leo Steinberg: Pop, "Post-Modernist" Painting, and the Flatbed Picture Plane --
Pt. 3. "Philosophical" Critics. 5. Barbara Rose: Pop, Pragmatism, and "Prophetic Pragmatism" 6. Max Kozloff: A Phenomenological Solution to "Warholism" and Its Disenfranchisement of the Critic's Interpretive and Evaluative Roles --
Pt. 4. "Cultural" Critics. 7. Susan Sontag: Pop, the Aesthetics of Silence, and the New Sensibility.
丛书名: Contemporary artists and their critics.
责任: Sylvia Harrison.
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摘要:

"Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broadly categorized as either sociological or philosophical - bear a striking similarity to the body of thought and opinion that is now associated with deconstructive post-modernism. Perceived through these disciplinary lenses, Pop Art arises as not only a reflection of the dominance of mass communications and capitalist consumerism in post-war American society but also as a subversive commentary on worldviews and the factors necessary for their formation."--BOOK JACKET.

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